| TITLE | ARTIST(S) | PAGES | SIZE (in cm.) | IN COLLABORATION WITH | YEAR | |
| 156 | Set Amsterdam | Dana Lixenberg | 72 | 24 x 24 | Willy Waltz International | 2011 |
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For Set Amsterdam, Dana Lixenberg photographed dozens of Amsterdam locations featured in the Dutch drama series Adam E.V.A. by Norbert ter Hall and Robert Alberdingk Thijm. Fascinated by the multitude and variety of places in the script, she decided to make a photo series of the city she left for New York more than twenty years ago: her birthplace, Amsterdam. With a text by Jurriaan Benschop. Design: Roger Willems. ISBN 978 90 77459 59 1
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| 154 | 50 Metres Distance or More | Irene Kopelman | 120 | 21 x 28.5 | 2011 | |
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Notes on Representation Volume 4. A collection of drawings and texts by Irene Kopelman, gathered during a journey to the Antarctic from January 6-26th 2010, aboard the expedition sailboat Spirit of Sydney.
Text in English and Spanish, edited by Nickel van Duijvenboden. Design: Roger Willems. ISBN 978 90 77459 58 4
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| 153 | Obra de Referencia | Mark Manders | 96 | 14 x 19.6 | Museo de Arte Carrillo Gil, Mexico City | 2011 |
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Small sized book with a broad selection of Manders' works, published on the occasion of a solo show in Museo de Arte Carrillo Gil in Mexico City (February-April 2011). Text in Spanish by Mark Manders and Ruth Estéves. Design: Roger Willems. ISBN 978 90 77459 57 7
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| 152 | Beyond the Dust - Artists' Documents Today | Various | 210 | 15 x 21 | Dena Foundation / De Vleeshal, Middelburg / Fondation d'entreprise Ricard, Paris | 2011 |
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Catalogue with artists' contributions on the occasion of the group exhibition Beyond the Dust - Artists' Documents Today, curated by Francesca di Nardo in collaboration
with Lorenzo Benedetti. Participating artists: Linda Fregni Nagler, Mark Geffriaud, Invernomuto, Jeroen Kooijmans, Irene Kopelman,
Benoît Maire, Diego Marcon, Clément Rodzielski, Roma Publications, Batia Suter, Richard Sympson, Raphaël Zarka. Texts by Lorenzo Benedetti, and
Francesca di Nardo. Edited and designed by Roger Willems in collaboration with Gwenneth Boelens. ISBN 978 90 77459 56 0
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| 151 | City People | Ringel Goslinga | 304 | 15.5 x 20 | 2011 | |
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City People is a personal encounter of Ringel Goslinga with the city he lives and works in: Amsterdam. For this project he documented the different circles of his social surroundings. Resulting in 122 black and white portraits, made with a large format camera. The portraits vary in intimacy, but the intensity is of every portrait is constant. In this publication all portraits are categorized, which results in a unique documentation of a city, and its citizens. Design: Hans Gremmen. ISBN 978 90 77459 54 6
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| 150 | Geen spiegel kan je behoeden / No Mirror Can Guard You | Nickel van Duijvenboden | 96 | 17 x 24 | 2011 | |
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Selection of texts by Nickel van Duijvenboden. "When I was twenty, I decided to keep a record of the occurences I believed would leave a mark on me. I wrote them down in as few words as possible and preferably on the same day, in an attempt to preserve them from the distortions of memory. This accumulated naturally into a compact archive of incidents in which self-consciousness repeatedly wedges itself into everyday reality." Design: Roger Willems. Cover drawing: Marc Nagtzaam. Text in Dutch and English. ISBN 978 90 77459 55 3 Link: www.nickelvd.nl/index_en.html
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| 149 | (Innere Stimme) | Olaf Nicolai / Jean-Luc Nancy | 16 | 24 x 33.5 | De Vleeshal, Middelburg | 2010 |
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Autonomous text written by the French philosopher Jean-Luc Nancy on occasion of the work (Innere Stimme) by Olaf Nicolai, presented at the Vleeshal in Middelburg from Nov 11 - Dec 12, 2010.
'Innere Stimme' is the title of a notation by Robert Schumann in his Humoreske, Opus 20, used by Nicolai as instruction for a sound performance. Design: Roger Willems. Text in French & English. ISBN 978 90 77459 53 9 Link: www.vleeshal.nl/en/tentoonstellingen/olaf-nicolai-innere-stimme
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| 147 | Portraits | Liedeke Kruk | 264 | 20 x 26.5 | 2010 | |
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Unique book with a sequence of over 200 striking portraits of artists and art related people photographed by Liedeke Kruk over the past sixteen years.
Design: Roger Willems. Edition 600. ISBN 978 90 77459 52 2
Adam Colton, Aernout Mik, Agnes Denes, Alan Murray, Albert Waalkens, Alberto Garutti, Ann Lislegaard, Anne Decock, Anne-Mie Van Kerckhoven, Anton Henning, Avery Preesman, Barbara Visser, Bart De Baere, Berlinde de Bruyckere, Bernard Heesen, Beth Namenwirth, Bill Viola, Björn Dahlem, Borek Sípek, Brian Tolle, Brigitte van der Sande, Callum Morton, Carina Diepens, Catherine David, Ceciel van Delft, César, Cherry Duyns, Chohreh Feyzdjou, Chris Dercon, Christian Boltanski, Ciel van Dooren, Claes Oldenburg, Coosje van Bruggen, Cornel Bierens, Dan Graham, Daniel Buren, David Bade, David Claerbout, Dirk Braeckman, Douglas Gordon, Ebru Özseçen, Edwin Jacobs, Elly Stegeman, Elly Strik, Elske Neus, Emilio Lopez-Menchero, Eran Schaerf, Erik van Lieshout, Eulalia Valldosera, Federico Fusi, Fiona Tan, Fons Welters, Franky DC, Franz Pomassl, Gabriel Orozco, Ger van Elk, Germaine Kruip, Gert Robijns, Gillian Wearing, Giovanni Anselmo, Giuseppe Penone, Guillaume Bijl, Hale Tenger, Ham Jin, Hans Aarsman, Hans van der Pennen, Hans van Manen, Helena Dumas, Hendrik & Merel Driessen, Hendrik-Jan Hunneman, Henrietta Lehtonen, Hermann Nitsch, Hester Oerlemans, Honoré dO, Ianthe Elbers, Ida Lohman, Jacques Palinckx, Jan Broekstra, Jan De Cock, Jan Hoet, Jason Rhoades, JCJ Vanderheyden, Jeanne van Heeswijk, Jeff Wall, Jeroen Doorenweerd, Jeroen Eisinga, Jim Isermann, Jimmie Durham, Jo Baer, Joachim Rooyackers, Job Koelewijn, Joep van Lieshout, Johan van Oord, John Isaacs, John Körmeling, Jon Pylypchuk, José Damasceno, José Pedro Croft, Josse De Pauw, Josue Pellot, Juliana, Jutta Koether, Karel Appel, Klaar van der Lippe, Klaas Gubbels, Klaasje Vroon, Koen Theys, Korrie Besems, Krien Clevis, Lara Schnitger, Lawrence Weiner, Luc Tuymans, Luuk Wilmering, Manfred Pernice, ManfreDu Schu, Marc Nagtzaam, Maria Roosen, Maria Thereza Alves, Marie-Ange Guilleminot, Marien Schouten, Marie-Puck Broodthaers, Marina Abramovic, Mark Bain, Mark Manders, Marlene Dumas, Marry Overtoom, Masato Kobayashi, Matthew Monahan, Maxime Ansiau, Meredith Monk, Meschac Gaba, Michel François, Mike Kelley, Miroslaw Balka, Moniek Toebosch, Mynke Buskens, Naam, Nedko Solakov, Paul Andriesse, Peter De Cupere, Peter Fengler, Peter Fillingham, Petulia van Tiggelen, Philip Akkerman, Philippe Van Cauteren, Pipilotti Rist, Q.S.Serafijn, Reinier Lucassen, Rémy Zaugg, René Daniëls, Rob Birza, Robin Winters, Roland Schimmel, Rosemarie Trockel, Sander Luske, Sara Blokland, Sara van der Heide, Sarah Sze, Saskia Janssen, Scarlett Hooft Graafland, Sigmar Polke, Simone Decker, Sophie Calle, Sophie Hoorens van Heijningen, Stephen Nicholas, Suchan Kinoshita, Susanne Tunn, Tacita Dean, Teuny Tukker, Thea Veel, Thierry De Cordier, Thomas Schütte, Thomas Struth, Tom Claassen, Vaast Colson, Vadim Fishkin, Wiebo van Mulligen, Wilma Diepens, Wim Delvoye, Wim Van Mulders, Wouter van Riessen | ||||||
| 146 | Slide Projections | Mark Manders | 120 + 8 | 24 x 33 | 2010 | |
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Artist book by Mark Manders, published on the occasion of his tour through the U.S.A. (the Hammer Museum, Los Angeles, the Aspen Art Museum, the Walker Art Center, Minneapolis, and the Dallas Museum of Art). Design: Roger Willems. Edition of 900 numbered copies. ISBN 978 90 77459 51 5
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| 145a | Open Days / De Kabinetten van de Vleeshal | Marije Langelaar (ed.) | 32 | 21 x 27 | De Vleeshal, Middelburg | 2010 |
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Collection of poems (in Dutch) and works of art selected by Marije Langelaar in collaboration with Mark Manders and Roger Willems. With contributions by Petra Stavast, Nachoem M. Wijnberg, Eva Cox, Luc Deleu, Albertina Soepboer, Alfred Schaffer, Marc Nagtzaam, Dirk Braeckman, Raymond Taudin Chabot, K Michel , Luc Tuymans, Dana Schutz, Jan Kempenaers, Tonnus Oosterhoff, Marten Hendriks, Wouter Godijn, Rien Vroegindeweij, Hans Groenewegen, Mark Manders,
Peter Verhelst, Vrouwkje Tuinman, Maria Barnas, Anuschka Blommers, Niels Schumm, Geert Goiris, Esther Jansma, Elma van Haren, Adrian Paci, Gino De Dominicis. This edition was published on the occasion of the exhibition Beyond the Dust Artists' Documents Today at De Kabinetten van de Vleeshal, Middelburg (17.09-12.12 2010). Link: www.vleeshal.nl
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| 145b | Open Days / La Fabbrica del Vapore | Marije Langelaar (ed.) | 32 | 21 x 27 | La Fabbrica del Vapore, Milan | 2010 |
| 145c | Open Days / Fondation d'entreprise Ricard | Marije Langelaar (ed.) | 32 | 21 x 27 | Fondation d'entreprise Ricard, Paris | 2010 |
| 144 | The man who never experienced anything | Luuk Wilmering | 128 | 12 x 17 | Noord-Holland Biënnale 2010 | 2010 |
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Artist book in an edition of 500. ISBN 978 90 815769 1 8
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| 143 | Sechsundzwanzig Wiener Tankstellen | Sebastian Hackenschmidt, Stefan Oláh | 80 | 17 x 22.5 | 2010 | |
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While the typical American gas station has long since spread world-wide, its Viennese counterpart testifies to the survival of a distinct and tender European metropolitan variety which nestles up against apartment buildings, occupies the small gaps between buildings, hides in courtyards or positions its pumps somewhere on the curbstone. With text by Sebastian Hackenschmidt, and photographs by Stefan Oláh. Design: Roger Willems. ISBN 978 90 77459 45 4
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| 142 | Jo Baer. Broadsides & Belles Lettres. Selected Writings and Interviews 1965-2010 | Jo Baer (Roel Arkesteijn ed.) | 184 + 64 | 29 x 24 | 2010 | |
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Approximately 50 texts - richly illustrated -, published and unpublished, written between 1965 and the present: letters, essays, interviews, articles, facsimiles of illustrated texts, transcripts of talks, and a book-in-progress: Revisioning the Parthenon. The items are of disparate length and tone and cover subjects ranging from optics to orchids, cultural politics to ancient Greek iconography, art theory and philosophy to the mixed pleasures of living in a drafty castle in the Irish countryside. To all these diverse topics Baer brings formidable powers of analysis, rigorous logic, a penchant for provocation, lively wit and an inimitable, exacting use of language - the same ingredients that go into her art. Design: Roger Willems. 184 pp hardcover + 64 pp appendix. Made possible with the support of Fonds BKVB, Galerie Paul Andriesse, and The Andy Warhol Foundation for the Visual Arts. In English. ISBN 978 90 77459 49 2. Link: www.artforum.com/words/id=25921
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| 141 | Spomenik | Jan Kempenaers | 64 | 33 x 24 | 2010 | |
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Series of photographs of abandoned monuments in former Yugoslavia. Willem Jan Neutelings, quoted from this book: "The Antwerp-based photographer Jan Kempenaers undertook a laborious trek through the Balkans in order to photograph a series of these mysterious objects. He captures the Spomeniks in the misty mountain landscape at sundown. Looking at the photographs one must admit to a certain embarrassment. We see the powerful beauty of the monumental sculptures and we catch ourselves forgetting the victims in whose name they were built. This is in no way a reproach to the photographer, but rather attests to the strength of the images. After all, Kempenaers did not set out as a documentary photographer, but first and foremost as an artist seeking to create a new image. An image so powerful that it engulfs the viewer. He allows the viewer to enjoy the melancholy beauty of the Spomeniks, but in so doing, forces us to take a position on a social issue." Design: Roger Willems. ISBN 978 90 77459 50 8
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| 140 | Proposal for Permanent Chalk Drawings in the Moscou District of Ghent (Unforgettable Neighbourhood) | Bart Lodewijks | 64 | 21 x 30 | S.M.A.K. Ghent | 2010 |
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Report of a remarkable art project in the public space. The subtitle of this book is 'Proposal for Permanent Chalk Drawings in the Moscou District of Ghent'. For more than three years Bart Lodewijks was making drawings with blackboard chalk on walls throughout a neighbourhood in the outskirts of Ghent, called Moscou. Slowly, he became a known face in the area and succeeded to get permision to draw on facades and interiors of private homes. Next to images of the work, the book contains short texts by the artist and letters to the director of S.M.A.K. and the director of NMBS - the Belgian railway company - to come to a special agreement concerning one specific house. Design: Roger Willems. ISBN 978 90 77459 48 5
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| 139 | On the Self-Reflexive Page | Louis Lüthi | 160 | 13 x 20 | 2010 | |
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Priè d'insérer (by Louis Lüthi) - The subject of this book is the page, and the pages reproduced in it are taken from works of literature (or, in some cases, art books that derive specifically from literature).
I have chosen to present them thematically, resulting in a typology of self-reflexive pages: Black Pages, Blank Pages, Drawing Pages, Photography Pages, Text Pages, Number Pages, and Punctuation Pages.
The repetition this entails is somewhat deceptive (for a start, the reader will observe the slight but not insignificant differences between the visual and verbal presentations);
in literature, such devises are often used as a counterpoint to what has preceded or what will follow in the narrative.
And the same means may evidently be used to different ends. For these reasons, and because the book attempts only to trace an isolated theme through numerous and often otherwise unrelated works,
the reader is in all instances referred to the original publications, which are listed in the bibliography. ISBN 978 90 77459 47 8
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| 138 | A NOT B | Uta Eisenreich | 128 | 21.5 x 28.5 | 2010 | |
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Book with recent photographic work by Uta Eisenreich focussing on the shortcomings of our cognitive tool-kit. A NOT B walks us along the fine line between common sense and uncommon nonsense in a realm reminiscent of pre-school books, assessment tests and optical illusions. Design: Julia Born. ISBN 978 90 77459 46 1
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| 137 | Superquadra | Erik van der Weijde | 176 | 16 x 22 | 2010 | |
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Book with over 160 photographs by Erik van der Weijde of large residential blocks in Brasilia, named Superquadras. Each block, as repeating element in Lucio Costa's master plan for Brazil's new capital, was built within a distinct configuration, with an average of eleven residential buildings raised on pilotis, with a height limit of six floors. Besides 30 of these residential blocks in Brasilia, Van der Weijde also visited a residential complex in Rio de Janeiro, designed by Costa in 1948, which is considered to be forerunner of the Superquadras. Brasilia was inaugurated 50 years ago, on April 21, 1960. Design: Roger Willems and Erik van der Weijde. ISBN 978 90 77459 43 0
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| 136 | Ashes and Broken Brickwork of a Logical Theory | Susanne Kriemann | 128 | 13 x 19.5 | Künstlerhaus Stuttgart / KIOSK, Ghent | 2010 |
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Text fragments and photo sequences reflecting the trajectory that Susanne Kriemann pursued in relation to archaeology, the artefact, the image of the individual
at work, and the idea of the desert as a symbol of the modern desire to create an empty slate, a tabula rasa. Material from
Agatha Christies photographic archives is related to photographs by Kriemann of the Syrian desert and archaeological sites in Mesopotamia.
This associative working method allows the artist to dig towards the past and to disassociate the idea of modernity from
ideological connotations, and analyze the writing of recent history as a formal system of organization. With texts by Dieter Roelstraete,
Wim Waelput, Axel John Wieder. Design: Christopher Jung and Tobias Wenig, Berlin (www.jungundwenig.com).
ISBN 978 90 77459 44 7
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| 135 | Plans d'evasion | Michel Francois | 360 | 26,5 x 21 | S.M.A.K., Ghent / I.A.C., Villeurbanne | 2010 |
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Extensive monograph about the work of Michel Francois. With texts by Guillaume Desanges and Jean-Paul Jacquet, and an introduction by Philippe Van Cauteren and Nathalie Ergino.
Epilogue: In a seemingly marked-out, hierarchical world which is far more chaotic and uncontrolled than it appears, Michel Francois's essentially sculptural work, which on the contrary is obviously chaotic and subtly framed, is a model of sensual and ideological reconfiguration of the immediate. His delight in forms and games of representation derives from his wonderment at the world's materials, nature, situations or ideas. Despite the sometimes sombre rawness of some references, the artist ultimately sets out to reconcile what are sometimes distant and contradictory fields in the world of art. Highly formal sculpture underpinned by a set of complex theoretical and ideological strata, laying claim to a liberal art, while accepting the slavish share of work. The ideological issues of modernity (the everyday as material, art as a cosa mentale, universality of forms, abstraction, seriality), without ignoring the great issues of classical art (perspective, nature, manual work, metaphor, illusion, trompe-l'oeil). A focus on the world and on the intimate sphere, neutralised by elegant detachment from forms. Representative clarity and simplicity, contrasted with indeterminate perception. In short, acceptance of physical and moral responsibility for the fundamental demands of sculpture, without sacrificing freedom, risk and uncertainty. (Guillaume Desanges) | ||||||
| 134 | Two Connected Houses | Mark Manders | 48 | 21,5 x 28 | Fillip, Vancouver / The Guggenheim Museum, New York | 2010 |
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Conceived as a proposal for The Guggenheim Museum in New York, this book, or magazine, guides you through an imaginary exhibition with works by Manders, spread out over two houses connected with a tunnel from kitchen to kitchen. 'Two Connected Houses' will be on show at 'Contemplating the Void: Interventions in the Guggenheim Museum', New York, February 12April 28, 2010 and will also be distributed, as a 48 page insert of Manders' newspaper 'Traducing Ruddle', through newspaper boxes in Vancouver's Downtown Eastside during the months of February and March. Design: Hans Gremmen. Virtual publication: Two Connected Houses
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| 133 | Traducing Ruddle | Mark Manders | 8 | 35 x 48 | Fillip, Vancouver | 2010 |
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'Traducing Ruddle' is the 5th in a series of "fake" newspapers, especially produced to be used in Manders' sculptures. Together with the 48 page insert 'Two Connected Houses', it is distributed through newspaper boxes in Vancouver's Downtown Eastside during the months of February and March. Sheets from 'Traducing Ruddle' form also the central element of a 'Window with Fake Newspapers', a site-specific public work on view in Vancouver through March 28th. Typography: Hans Gremmen.
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| 132 | Passages Through (the Unfinished Monument) | Tamuna Chabashvili, Adi Hollander, Vesna Madzoski (ed.) | 192 | 20 x 13 | Public Space With A Roof | 2010 |
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Story about a project for the KIASMA Museum in Helsinki, Finland, that was canceled two weeks before its realization. It was intended to become an installation of three intersecting Moebius strips 'circling' around the gallery, functioning as a platform to exhibit works of other artists. Finally only a model of this structure was created and photographed with a pinhole camera. On the images, the structure is still visible, but their blurry and foggy atmosphere shows a different universe, closer to the world of dreams and imagination.
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| 131 | In Dark Trees | Rob Johannesma | 112 + 2 cards | 24 x 16.5 | De Vleeshal, Middelburg | 2010 |
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Publication based on Johannesma's exhibition 'Uitval uit een' at De Vleeshal Middelburg (summer 2009). With text by Lorenzo Benedetti. Edition 600 copies. ISBN 978 90 77459 40 9
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| 130 | Cast (part 2) | Raymond Taudin Chabot | 32 | 16 x 23 | Fw: | 2009 |
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The booklet starts with a sequence of photographs and reproductions leading to an image of a golden pretzel, depicting a sculpture by Taudin Chabot.
It reads like a reflection on different representational forms of decorum and their flipside within photography.
Unexpectedly the sequence switches to images of clocks, tables, television sets, gambling machines, newspapers and a whole range of devices that are commonly deployed to kill time.
Their origin remains opaque but they indicate a parallel reality that is precarious and clandestine. Edition 600 copies. Made in collaboration with Roger Willems.
Links: www.raymondtaudinchabot.net / www.fw-photography.nl
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| 129 | Libero | Petra Stavast | 200 | 18 x 25 | 2009 | |
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In an abandoned house in Calabria (Italy) Petra Stavast found old pictures and letters. She started to search for the people on these pictures and reconstructed the story behind the images. Design: Hans Gremmen. Edition 750 copies. ISBN 978-90-77459-38-6 Link: www.petrastavast.com
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| 128 | Extended Caption (DDDG) | Stuart Bailey | 112 | 34.5 x 24.5 | Culturgest, Lisbon / Dexter Sinister, New York | 2009 |
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An exhibition in Culturgest, Porto provided the seventh occasion for Stuart Bailey to show a group of artefacts whose only shared connection was that they had appeared somewhere in the pages of Dot Dot Dot - a magazine which he has edited since its conception in 2000. The publication plays with the idea of inverting the regular hierarchy of this magazine where texts are generally treated as primary and images secondary. It contains a leporello reproduction of the exhibition wall with all the 43 artefacts, followed by subsequent reproductions of 43 previously published Dot Dot Dot articles, systematically presented as captions of these artefacts. With texts by Stuart Bailey and Jan Verwoert. Design: Roger Willems and Sam de Groot. ISBN 978-90-77459-37-9. Read more: www.dot-dot-dot.us/index.html?id=55
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| 127 | Blaka Watra Spiders (Me & You on a Golden Avenue) | Saskia Janssen | 64 | 21 x 28.5 | Art and Public Space Research Group, Gerrit Rietveld Academy, Amsterdam | 2009 |
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Report on Janssen's encounters in the Blaka Watra drug users' room in Amsterdam during the period 2006 to 2008. With drawings of spiderwebs by Blaka Watra visitors. Jackson: 'This is the real shit, man! A spiderweb! Thats my life.' Design: Jaan Evart (Werkplaats Typografie, Arnhem) & Indrek Sirkel. ISBN 978-90-77459-36-2
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| 126 | I pass, like night, from land to land; I have strange power of speech. | Paul Elliman | 16 | 17 x 24 | 2009 | |
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'Phantom Radio Extended Shipping Forecast'. Notes for radio imagery and typography. Collected, compiled and rewritten by Paul Elliman as supplement to Batia Suter's Parallel Encyclopedia. Designed by Radim Pesko with Roger Willems.
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| 125 | Reverse Chronology | JCJ Vanderheyden | 32 | 21 x 26 | 2009 | |
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Reverse Chronology, subjectively compiled by the artist. This booklet is a reproduction of a hand glued sketch made during the process of making "The Analogy of the Eye" (Roma Publication 122). Printed in an edition of 750 copies.
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| 124 | Heel Ander Blad | Luuk Wilmering | 24 | 30 x 41.5 | Luuk Wilmering / De Pont, Tilburg | 2009 |
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Newspaper collage by Luuk Wilmering, handmade between 2006-2008, compiled with text and image fragments from regular issues of NRC Handelsblad. This newspaper is part of the presentation "Luuk Wilmering / Krant - Journal" at De Pont museum of contemporary art, Tilburg, from 17.01 - 15.03 2009. Read more: De Pont press-release / See more: www.luukwilmering.nl
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| 123 | One Time One Million (Migratory Birds / Romantic Capitalism) | Susanne Kriemann | 122 | 22 x 27.5 | Stedelijk Museum Bureau Amsterdam | 2009 |
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An original Swedish Hasselblad camera is the point of departure for One Time One Million. Because the camera dates from 1942, this object launched Kriemann straight back into history.
Kriemann succeeds in pushing the concrete politics that adhere to this object into the background. That gives her room to say much more than she would have had a chance to say in a specifically political context: she can bring clusters together in new images, make new connections, rearrange things, tinker around, and thus arrive at new insights. (Els Roelandt in SMBA Newsletter No. 108) | ||||||
| 122 | JCJ Vanderheyden / The Analogy of the Eye | JCJ Vanderheyden | 264 | 21 x 26 | Culturgest, Lisbon | 2009 |
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Extensive book about the work of Dutch artist JCJ Vanderheyden (Den Bosch, 1928), presented with a retrospective exhibition in Culturgest, Lisbon. Edited and designed by Roger Willems, Mark Manders and Jaap van Triest in close collaboration with the artist. Texts by Nickel van Duijvenboden, Mark Kremer, Dieter Roelstraete and Miguel Wandschneider. Texts in English, with translations in Portuguese and Dutch. ISBN 978-90-77459-31-7
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| 121 | Untitled (Onkenhout) | Arnoud Holleman | leporello | 21 x 29.7 | 2008 | |
| 120 | (Untitled) | Geert Goiris | 8 (leporello) | 21 x 27 | Wiels, Brussels | 2008 |
| 119 | Hypocotyl Raki | Mark Manders | 16 | 35 x 48 | 2008 | |
| 118 | Plateau | Nickel van Duijvenboden | 48 (x2) | 14 x 20.5 | 2008 | |
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Novel written by Van Duijvenboden, published as set of two books; one in English and one in Dutch. Plateau features two scientists stationed on the Arctic drift ice for a year in the Cold War era. "Except for the stars there were no reference points here: no hills, no mainland, no vegetation &ndash nothing that counterbalanced the uniform character of this frozen ocean landscape." The question how the expedition members should relate to this landscape forms the heart of a discussion which seems to be driving them apart. ISBN 978 90 77459 33 1 / Links: www.ilfaut.nl, www.nickelvd.nl
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| 117 | Siedlung | Erik van der Weijde | 256 | 16 x 22 | 2008 | |
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240 Houses in 16 settlements, built in Nazi Germany between 1933 and 1945, photographed by Van der Weijde in the spring of 2008. ISBN 978-90-77459-32-4 / Link: www.erikvanderweijde.com
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| 116 | Wonder Years / Werkplaats Typografie 1998-2008 | Various | 256 | 23 x 30 | ArtEz | 2008 |
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Book on the occasion of the 10th anniversary of the Werkplaats Typografie in Arnhem. Edited and designed by Alex DeArmond, Jeremy Jansen, Julie Peeters, Scott Ponik, Boy Vereecken and Lisette Smits.
With contributions by Stuart Bailey, Uta Eisenreich, Paul Elliman, Raimundas Malasauskas, Karel Martens, Armand Mevis, Radim Pesko, and Willem Oorebeek. ISBN 9789077459300 / Link: www.werkplaatstypografie.org
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| 115 | (Untitled) | Geert Goiris | 8 (leporello) | 21 x 27 | 2008 | |
| 114 | China/S75 | Petra Stavast | 36 | 16.5 x 23.5 | 2008 | |
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Portraits by Petra Stavast, photographed with a mobile phone. Designed by Hans Gremmen. ISBN 978 90 809988 3 4 / Link: www.petrastavast.com
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| 114b | Eva (II) | Petra Stavast | poster | 70 x 87 | De Vleeshal, Middelburg | 2010 |
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Portrait (Eva (II), 2008) by Petra Stavast, photographed with a mobile phone, printed in offsetprint on newspaper stock. Edition 300 / Link: www.petrastavast.com
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| 113 | Neem me mee, zei de hond. | Wim Brands | 16 | 17 x 24 | 2008 | |
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Collection of poems by Wim Brands, illustrated by Oksana Pasaiko (Two Meteorite Rocks, Cut in Favorit Angels). Design: Roger Willems. Edition 300 copies.
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| 112 | (Untitled) | Stephan Keppel | 12 (leporello) | 16.5 x 21 | Fonds BKVB | 2008 |
| 111 | Serendipity | Hans Gremmen (ed.) | 104 | 19 x 26 | 2008 | |
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Book edited by graphic designer Hans Gremmen with a selection of 'test prints' found at the silkscreen workshop of Paul Wyber of WyberZeefdruk in Amsterdam. The book contains reproductions as well as unique fragments from original prints by the following designers and artists:
Jan Bons, Armand Mevis, Linda van Deursen, Lex Reitsma, Julia Born, Laurenz Brunner, Gielijn Escher, Annet Gelink, Ryan Gander, Roger Willems, JCJ Vanderheyden, Roland Schimmel, Nancy Spero, Carlos Amorales, Coppens Alberts, Connie Nijman, Anthony Burrill, Scott King, KesselsKramer, Jan Cremer, Gebroeders Silvestri, Stephanie de Vilder, Experimental Jetset, mevrouw Kramer, Mark van Holden, Linda Jensen. With an adapted chapter from 'Sindbad in Serendip' by Richard Boyle.
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| 110 | Nancy Spero's Alphabet of Hieroglyphs | Nancy Spero | 2 posters | 2 x (80 x 119) | De Appel Arts Centre, Amsterdam | 2008 |
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Set of two silkscreen posters with an inventory of all motifs from Nancy Spero's zinc and polymer plates since 1975. Edited by Roel Arkesteijn. Design: Connie Nijman and Roger Willems. (c) Nancy Spero 2008
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| 109 | Codex Spero / Nancy Spero - Selected Writings and Interviews 1950-2008 | Roel Arkesteijn (ed.) | 200 | 20 x 28 | De Appel Arts Centre, Amsterdam | 2008 |
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Book with a selection of statements, correspondence, essays, lecture notes, interviews, personal photographs and other ego documents from Nancy Spero (Cleveland, Ohio, 1926). An overview of all the visual motifs that Spero has used in her work since the mid-1970s completes this volume. Edited by Roel Arkesteijn, in close collaboration with the artist. ISBN 978-90-77459-28-7
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| 108 | Psychoscope | Roland Schimmel | 48 + DVD | 21 x 29.7 | Culturgest, Lisbon | 2008 |
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Book and dvd by Roland Schimmel with an essay by Dieter Roelstraete and an introduction by Miguel Wandschneider. ISBN 978 90 77459 27 0
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| 107 | That's Painting | Bernard Brunon | 116 | 15 x 21 | FRAC Lorraine | 2008 |
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With less to look at, there's more to think about. That was the motto Bernard Brunon gave to his company "That's Painting Productions" some twenty years ago, when his work as a house painter became his activity as an artist. This development didn't happen over night. The interviews in this book by Michael Kosch and Pascal Beausse describe the process and explain the motivations behind this trajectory.
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| 106 | Intimate Relations | Marlene Dumas | 140 | 21 x 26 | Jacana Media, Johannesburg | 2007 |
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Book with a personal selection of paintings, drawings, early works, and writings. Compiled on the occasion of Dumas's first solo show in South Africa after moving to The Netherlands thirty years ago. Edited by Marlene Dumas, with text contributions by Emma Bedford, Marlene van Niekerk, Achille Mbembe and Sarah Nuttall. ISBN 978-90-77459-24-9
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| 105 | Multiplicity | Frank van der Salm | 16 | 24 x 34 | Fries Museum Leeuwarden | 2008 |
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Published on the occasion of the exhibition Multiplicity at the Fries Museum, Leeuwarden (20.1-13.4.08). Text by Shumon Basar and Frank van der Salm.
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| 104 | Cast (part 4) | Raymond Taudin Chabot | 56 | 24 x 34 | 2007 | |
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Sequence of newspaper images collected by Raymond Taudin Chabot as source material for his 'men-in-suit' slow motion video works (see: www.raymondtaudinchabot.net). Edited by Roger Willems.
This publication has been made possible by financial support from The Netherlands Foundation for Visual Arts, Design and Architecture Amsterdam. ISBN 978-90-77459-23-2
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| 103 | Beauty Unrealized | Tamuna Chabashvili, Adi Hollander, Vesna Madzoski (ed.) | 56 | 17 x 24 | Public Space With A Roof |
2007 |
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The publication "Beauty Unrealized / spider webs of personal universes seeking a form" is the testimony of a series of collaborative ventures, organized by artist-run space Public Space With a Roof, Amsterdam. With contributions by Thomas Hirschhorn, Robert Garnett, Keren Cytter, Philippe-Alain Michaud, Atsushi Sasaki, Michel de Broin, Benoit Goupy, Falke Pisano, Maurits Fennis, Emiliano Gandolfi, Mark Manders, Francesco Bernardelli, Claudio Baroni &
Fabian Marcaccio, Marko Kosnik, Angela Serino, and others.
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| 102 | Two | Marc Nagtzaam | 16 + 4 | 17 x 23 | 2007 | |
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The early part of Nagtzaam's collected text samples, released on the occassion of the group exhibition "Drawing Typologies", Stedelijk Museum Amsterdam 29.06 - 16.09.2007 / Link: www.marcnagtzaam.info
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| 101 | Post-production | various | 59.4 x 84 (x11) | Artis Den Bosch |
2007-08 | |
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Series of 11 posters, compiled by Roger Willems. These posters were printed in the same print runs as the invitations for artists run space Artis Den Bosch during 2008 and 2009. A limited part of these print runs was saved uncut. Only 38 out of 50 clean sets are available for distribution. With special thanks to Drukkerij Tielen, Boxtel.
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| 100 | Parallel Encyclopedia | Batia Suter | 592 | 21 x 28 | 2007 | |
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A voluminous book containing a precise composition of images from other books. With supplement by Paul Elliman: I pass. like night, from land to land; I have strange power of speech.
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| 99 | Penny on Wood | Mark Manders | 16 + insert | 21 x 27 | 2007 | |
| 98 | Full Grown Man | Wouter van Riessen | 64 | 19 x 26 | 2007 | |
| 97 | Suggested Taxation Scheme | Gabriel Kuri | 44 | 24 x 17 | 2007 | |
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Publication based on the installation "Tillaga ad Skattaaaetlun / Suggested Taxation Scheme / Reforma Fiscal", made for the exhibition "Work Time, Life Time, Material Time", Reykjavik Arts Festival, 2005. Text by Jessica Morgan. ISBN 978-90-77459-19-5
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| 96 | The Whole World - Without Me = The Whole World | Oksana Pasaiko | cards | 14.8 x 10.5 | Nobody sir | 2004-07 |
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Series of double-sided postcard-works by Oksana Pasaiko. The cards are presented in 3 different ways: 1. In vitrines or on pedestals behind glass, front and back of card presented next to each other with a distance of 12 mm; 2. As give away cards; 3. On the wall with front and back of the card presented next to each other with a distance of 12 mm.
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| 95 | Logicas Desviadas | Irene Kopelman | 16 | 28.5 x 21 | AVAM, Naval Museum of Madrid | 2006 |
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Drawings by Kopelman based on historical maps dated from the XVI to XIX centuries. 'Logicas Desviadas' is the first volume of the series 'Notes on Representation' by Kopelman. Edition: 250 copies.
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| 94 | Curculio Bassos / Sonantal Lush | Mark Manders | 8 + 8 | 35 x 48 + 17.5 x 24 | 2006 | |
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Papier-mache newspaper with insert, especially produced to be used in sculptures. Typography: Hans Gremmen.
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| 93 | 11 tekeningen (free paper) | Marc Nagtzaam | two folded papers | 2 x (68 x 48) | Homework, Maastricht | 2006 |
| 92 | Count Down | Roland Schimmel | poster | 68 x 48 | Culturgest, Lisbon | 2006 |
| 91 | Ghent / Lisbon / Porto Drawings | Bart Lodewijks | 96 | 16.5 x 22.5 | Culturgest, Lisbon / S.M.A.K. Ghent | 2006 |
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Book about a series of site specific wall drawings by Lodewijks produced in streets and exhibition spaces in Ghent, Lisbon and Porto. Text by Frank Maes (English, Portuguese, Dutch). ISBN 978 90 77459 171
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| 90 | Os livros fazem amigos | Roger Willems, Mark Manders (ed.) | 120 | 15 x 21 | Culturgest, Lisbon | 2006 |
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Published on the occasion of the exhibition 'Roma Publications' in Culturgest, Lisbon, from May 20 until August 27, 2006. Texts by Christoph Keller, Dieter Roelstraete and Miguel Wandschneider.
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| 89 | Dias abertos | Marije Langelaar (ed.) | 64 | 21 x 27 | Culturgest, Lisbon | 2006 |
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Portuguese double edition of the first two Open Days (Roma Publications 38 and 70). Dutch and Flemisch poems, selected by Marije Langelaar, combined with various works of art. Translated by Fernando Venâncio. Contributions by: Michaël Borremans, René Puthaar, Batia Suter, Noritoshi Hirakawa, Menno Wigman, Ilja Leonard Pfeijffer, Albertina Soepboer, Anneke Brassinga, Arturo Herrera, Mark Langelaar, Ronald Ohlsen, Piet Gerbrandy, Gwy Mandelinck, Dirk Braeckman, Luc Tuymans, Roger Willems, Arjen Duinker, Marije Langelaar, Tsead Bruinja, Wouter van Riessen, Johannes Kahrs, Maria Barnas, Leonard Nolens, Mark Manders, Annelies Strba, Daan van Golden, Raoul De Keyser, K. Michel, Menno Wigman, Tonnus Oosterhoff, Bas Jan Ader, Eva Gerlach, Miriam Van hee, Mark Boog, Dirk van Bastelaere, John Currin, Jannah Loontjens, Wouter Godijn, Hester Knibbe, Kees Goudzwaard, Rogi Wieg, Barry Flanagan, Franky D.C., Gerhard Richter, Peter Verhelst, Miguel Declercq, Franz Gertsch, José Maria Rodriguez Plaza, JCJ Vanderheyden, Yun-Fei Ji, Boris Mikhailov. ISBN 90 77459 14 6
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| 88 | Surplus | Marc Nagtzaam | 48 | 19 x 26 | Culturgest, Lisbon | 2006 |
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Texts fragments collected and drawn by Nagtzaam between 1998 and 2006. ISBN 90 77459 146 / Link: www.marcnagtzaam.info
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| 87 | Ornamento com pontos focais | Mark Manders | 16 | 23 x 31 | Culturgest, Lisbon | 2006 |
| 86 | Sequent | Kees Goudzwaard | 64 | 21 x 28 | Culturgest, Lisbon | 2006 |
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Book about new paintings of Kees Goudzwaard (sequel of Roma Publication 50 'Frontal Views') on on the occasion of his solo-exhibition in Culturgest, Lisbon, from May 20 until August 27, 2006. Texts by Delfim Sardo, Sebastian Hackenschmidt and Miguel Wandschneider.
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| 85 | Kunstverein Ahlen | various | 12 x 16.5 | Kunstverein Ahlen | 2006 - | |
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Growing series of publications related to exhibitions in Kunstverein Ahlen, curated by Philippe Van Cauteren. Design: Joana Katte, Berlin
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| 84 | W139 - Amsterdam, Report of an Ongoing Journey | various | 304 | 17 x 22.5 | W139, Amsterdam | 2006 |
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W139 from November 30, 2002 till April 30, 2006. A continuous transformation process that is amply documented in this book. Introduction by Ann Demeester. ISBN 90 77459 11 1
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| 83 | Short Sad Thoughts | Mark Manders | 72 | 20 x 27,5 | BALTIC Centre for Contemporary Art, Gateshead | 2006 |
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Catalogue about Manders' solo exhibition at BALTIC Centre for Contemporary Art, Gateshead. Texts by Penelope Curtis, Mark Manders, Marije Langelaar, and Ronald Van de Sompel. Distribution in the UK by Cornerhouse Publications Ltd. / Distribution outside the UK by IDEA Books. ISBN 1 903 655 269
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| 82 | Blind Spot | Roland Schimmel | 64 | 20 x 28 | Boijmans van Beuningen, Rotterdam | 2006 |
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Book with works by Roland Schimmel. Text by Eva Wittocx. Edition 1000. ISBN 90 77459 00 6
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| 81 | „Freut Euch“ | Michael Dörner | 20 | 15 x 21 | Kunstverein Göppingen (DE) | 2006 |
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Booklet about the raining umbrella on Spitalplatz, Göppingen (DE). Text by Werner Meyer. Edition 500.
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| 80 | Untitled (Post-production) | JCJ Vanderheyden | 3 posters | 3 x (70 x 100) | Artis, 's-Hertogenbosch | 2006 |
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Set of three posters by JCJ Vanderheyden. Silkscreen on paper, unsigned and unnumbered in an edition of 200.
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| 79 | EucaryoteTarp | Mark Manders | 8 | 35 x 48 | BALTIC Centre for Contemporary Art, Gateshead | 2005 |
| 78 | Compost Index | Gabriel Kuri | 68 | 28 x 20 | Conaculta, Mexico City | 2005 |
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Book about the work and thoughts of the Mexican artist Gabriel Kuri, published in co-production with CoNaCultA, with support from kurimanzutto, Mexico City and Franco Noero Gallery, Torino. Texts by Dieter Roelstraete, and Maxine Kopsa. ISBN 90 77459 10 3
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| 77 | 3 | Geert Goiris | 3 cards | 3 x (22 x17.6) | 2005 | |
| 76 | Cristof Yvoré | Cristof Yvoré | 44 | 17 x 12.5 | Zeno X Gallery Antwerpen | 2005 |
| 75 | Reconstructing Time | Irene Kopelman | 24 | 23.5 x 16.5 cm | Artis Geological Museum | 2005 |
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Outcome of a year of research and production by Irene Kopelman within the Artis Geological Museum, Amsterdam. It shows a series of handcrafted porcelain 'replicas' of a select part of the museum's Holotype collection, and a series of drawings of microfossils, that attempt to describe what the naked eye cannot see.
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| 74 | Parallel Encyclopedia | Batia Suter | DVD | 2006 | ||
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Filmic sequence of numerous newspapers photographs collected and arranged by Suter. www.batiasuter.org
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| 73 | Short Sad Text (based on the borders of 14 countries) | Oksana Pasaiko | Hair on soap | 7.5 x 5.3 x 2.4 | 2004-05 | |
| 72 | La Roquette Secrète | Mark Manders, Marije Langelaar | 8 | 23.5 x 32 | 2006 | |
| 71 | Broadway Marquise | Roland Schimmel | poster | 70 x 100 | S.M.A.K. Ghent |
2005 |
| 70 | Open Days | Marije Langelaar (ed.) | 32 | 21 x 27 | S.M.A.K. Ghent |
2005 |
|
The second in the series Open Days publications. It contains Dutch and Flemisch poems combined with various works of art, selected by Marije Langelaar. With contributions by : Daan van Golden, Raoul De Keyser, K. Michel, Menno Wigman, Tonnus Oosterhoff, Bas Jan Ader, Johannes Kahrs, Eva Gerlach, Miriam Van hee, Mark Boog, Dirk van Bastelaere, John Currin, Mark Langelaar, Jannah Loontjens, Wouter Godijn, Hester Knibbe, Kees Goudzwaard, Wouter van Riessen, Rogi Wieg, Barry Flanagan, Franky D.C., Gerhard Richter, Peter Verhelst, Miguel Declercq, Franz Gertsch, José Maria Rodriguez Plaza, J.C.J. Vanderheyden, Yun-Fei Ji, Boris Mikhailov. Design: Roger Willems. This publication was published on the occasion of the exhibition 'ROMA Publications 1998-2005' in S.M.A.K. Ghent, May 28 - July 3 2005.
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| 69 | Made out of Wood | Wouter van Riessen | audio CD | 14 x12.5 | 2005 | |
|
16 songs by Wouter van Riessen: 1. Morning Moon 2. Hear me Calling 3. Pinocchio 4. Little Maggie 5. Full Grown Man 6. You Sing to me 7. Bye-bye 8. Wouter 9. I Love you 10. Coming Home 11. Snow 12. You Made me Row my Boat Ashore 13. Bring you Home 14. Love Song for a Doll 15. The Stranger 16. Drifting into a Dream
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| 68 | De Rode Hamerclub | Marije Langelaar | 24 | 20 x 28 | 2005 | |
| 67 | (Untitled) | Geert Goiris | 8 (leporello) | 21 x 27 | 2005 | |
| 66 | Face it | Joe Villablanca | 32 | 19.5 x 26.5 | 2005 | |
| 65 | Blind Spot | Roland Schimmel (with David Lopato) | DVD | 18.5 x 26.5 | 2005 | |
|
Three abstract movies ('Blind Spot I, II, III') by Roland Schimmel with music by David Lopato. The DVD is packed in a screen printed blind dot book cover. Edition 50
| ||||||
| 64 | Vlak | Marc Nagtzaam | 16 | 16 x 22 | 2005 | |
| 63b | Hallway with Sentences | Mark Manders | 16 | 20 x 27 | ProjecteSD, Barcelona |
2007 |
|
Reprint of 'Hallway with Sentences' on the occasion of "Alguns llibres d'artista (A Few Artist's Books), Roma Publications i Christoph Keller" in ProjecteSD, Barcelona.
| ||||||
| 63 | Hallway with Sentences | Mark Manders | 16 | 19 x 25.5 | The Irish Museum of Modern Art, Dublin |
2005 |
| 62 | H1: Momente/Monumente | Philippe Van Cauteren, Sebastian Hackenschmidt, Roger Willems (ed.) | 56 | 19 x 25.5 | 2004 | |
|
First issue of the magazine H, with contributions by Franz Blei, Erick Beltran, Inga Beyer, Marc Wortmann, Daniel Blochwitz, Dew Bondage, Michael Dorner, Sebastian Hackenschmidt, Hans Blumenberg, Christian Jamarillo, Jac Leirner, Mario Navarro, Luis Egana Rojas, Tanja Schwarz, Elliott Erwitt, Andre Lemke, Philippe Van Cauteren, Thomas Schonberger, Michael Liebelt and Lawrence Weiner, Christel Fetzer. Edition 100. Laserprint. Design: Roger Willems | ||||||
| 61 | From Here to There (and back again) | Various | 128 | 21.5 x 28.5 | W139 |
2004 |
| 60 | (Untitled) | Batia Suter | 168 | 21 x 15 | KesselsKramer |
2004 |
|
Book with photographs of billboards and other advertising surfaces on which Suter displays a collection of switches, buttons and daily objects. This book is a special hard bound edition of the publication 'Batia Suter / A meeting outdoors', produced by KesselsKramer and originally published by NEROC'VGM b.v. Amsterdam.
www.batiasuter.org
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| 59 | Five minutes to Die | Iñaki Bonillas | 172 | 29.7 x 21 | 2004 | |
| 58 | 'H0' | Van Cauteren, Hackenschmidt, Willems (ed.) | 12 | 25.5 x 17.7 | 2004 | |
| 57 | 30 Feet | Oksana Pasaiko | 32 | 13.5 x 19.5 | Manifesta 5 |
2004 |
| 56 | (Untitled) | Geert Goiris | folded poster | 63 x 89 | Manifesta 5 |
2004 |
| 55 | Miquel Mont | Miquel Mont | 80 | 19 x 26.8 | Le Sous-sol Paris |
2004 |
| 54 | O, R, G, U & H | Philippe Van Cauteren (ed.) | website | 2004 | ||
|
A website documenting a number of modestly scaled projects curated and organized by Philippe
Van Cauteren, diversely sited through the City of Hamburg, Germany. | ||||||
| 53 | In Other Words | Nicolas Floc'h | 208 | 18 x 24.5 | Galerie Le Sous-sol, Frac Nord-Pas de Calais, Frac Champagne-Ardenne, W139 |
2005 |
|
The complete work of Nicolas Floc'h from 'Productive Writing'(1995) until recent videoworks. Editing : Roger Willems and Nicolas Floc'h. Texts : Ann Demeester, Léa Gauthier, Pierre Giquel, Emmanuelle Huynh, Philippe Van Cauteren, Nicolas Floc'h. ISBN 90 77459 06 5
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| 52 | Isolated Rooms | Mark Manders | 184 + 56 | 19.5 x 26 | The Art Institute of Chicago and The Renaissance Society at The University of Chicago |
2005 |
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Catalogue covering Mark Manders' double solo show "Isolated Rooms" at The Art Institute of Chicago and The Renaissance Society at The University of Chicago (9.13.2003 -1.4.2004). The book (184 pp.) is accompanied by a exhibition checklist and a 56 pp. reference book. Compilation and design: Roger Willems and Mark Manders.
Texts by: James Cuno and Susanne Ghez, James Rondeau, Dieter Roelstraete, Mark Manders and Marije Langelaar. ISBN 90 77459 09 X
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| 51 | Storage and Display | Dieter Roelstraete & Roger Willems (ed.) | 168 | 17 x 23 | Programa Art Center, Mexico City |
2004 |
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Document of the group exhibition 'Storage and Display' in Programa Art Center, Mexico City, 2003. With: Danai Anesiadou, Hans
Bryssinck & Diederik Peeters, Rodrigo Diaz, Jared Domicio, Nicolas Floc'h, Michel Francois, Kees Goudzwaard, Franciska Lambrechts &
Honore d'O, Erwan Maheo, Mark Manders, Hermann Maier Neustadt, Damian Ortega, Batia Suter, Sofia Taboas, Pieter Vermeersch and many others. ISBN
90 77495 05 7
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| 50 | Frontal Views | Kees Goudzwaard | 92 | 21 x 28 | 2004 | |
|
Book about the paintings of the Dutch painter Kees Goudzwaard. Text by Dieter Roelstraete. ISBN 90 77459 07 3 / Link: www.keesgoudzwaard.org
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| 49 | (Untitled) | Geert Goiris | 2 (card) | 17 x 24 | BOZAR Brussel |
2003 |
| 48 | Looking for a Beautiful Place | Bart Lodewijks | 64 | 17 x 24 | Scottish Arts Council |
2003 |
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Documentation of works produced during a two years stay in Scotland. Text by QS Serafijn. ISBN 90 77459 03 0
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| 47 | Photographic Views | Iñaki Bonillas, Dieter Roelstraete, Roger Willems | 40 | 17 x 24 | 2003 | |
| 46 | En we verdroomden de dag... | Wil Heeffer | 40 | 16.5 x 23 | Grafisch Buro Goirle |
2003 |
| 45 | Gedicteerde tekeningen | Mark Manders, Marije Langelaar and 22 children | 56 | 17 x 23 | Stedelijk Museum Amsterdam |
2003 |
| 44 | Over | Marc Nagtzaam | 44 | 16.5 x 23 | 2002 | |
| 43 | Splinters zijn stukken van bomen | Maud Vande Veire | 243 | 12 x 20 | 2002 | |
| 42 | Kaleidoscope Night | Dieter Roelstraete | 56 | 16.5 x 24 | Kröller-Müller Museum |
2002 |
| 41 | Ornament met Brandpunten | Mark Manders | DVD | 2002 | ||
| 40 | Singing Sailors | Mark Manders | 120 | 16.8 x 22.5 | 2003 | |
|
Dutch - size reduced - edition of the catalogue 'Singing Sailors'. Texts by Manders and Marije Langelaar. ISBN 90 805765 8 1
| ||||||
| 39 | Several Drawings on Top of Each Other | Mark Manders | 232 | 19 x 25.5 | Philip Morris Finest Selection Foundation |
2002 |
| 38 | Open Days | Marije Langelaar (ed.) | 32 | 21 x 27 | Kröller-Müller Museum |
2002 |
|
This publication was published on the occasion of the exhibition 'ROMA Publications 1998-2002' in the Kröller-Müller Museum, Otterlo. It contains Dutch poems combined with various works of art, selected by Marije Langelaar. With contributions by : Michael Borremans, Rene Puthaar, Batia Suter, Noritoshi Hirakawa, Menno Wigman, Ilja Leonard Pfeijffer, Albertina Soepboer, Anneke Brassinga, Arturo Herrera, Mark Manders, Marije Langelaar, Ronald Ohlsen, Piet Gerbrandy, Gwy Mandelinck, Dirk Braeckman, Luc Tuymans, Roger Willems, Arjen Duinker, Tsead Bruinja, Wouter van Riessen, Johannes Kahrs, Maria Barnas, Leonard Nolens, Annelies Strba.
| ||||||
| 37 | White Book | Inaki Bonillas, Roger Willems | 896 | 17 x 22 | Programa Art Center, Mexico D.f. |
2002 |
| 36 | Thin Newspaper with Drawings | Mark Manders | 16 | 47 x 31.5 | Documenta 11 | 2002 |
| 35 | Singing Sailors | Mark Manders | 128 |
21.6 x 28.8 |
Art Gallery of York University, Toronto (C) | 2002 |
|
Catalogue about the work of Mark Manders. Texts by Laura Hoptman, Loretta Yarlow, Marije Langelaar and Mark Manders. ISBN 0 921972 38 5
| ||||||
| 34 | Poëtisch Panorama | Louis Tiessen | 20 | 21 x 29.7 | 2002 | |
| 33 | Catherine Claeyé | Catherine Claeyé | 48 | 14 x 20 | Caldic Collection, Rotterdam | 2002 |
| 32 | Pingo doce | Mark Manders | 8 | 17.5 x 23 | Museu Serralves, Porto (P) | 2001 |
| 31 | New Anniversaries | Mark Manders, Marije Langelaar | 72 | 23.5 x 32 | International Sculpture Collection Rotterdam | 2001 |
| 30 | Arnhem Promotion Poster | Mark Manders | 68.5 x 96 | 2001 | ||
| 29 | Dictated Drawings | Mark Manders and 27 children | 32 | 16.5 x 23 | Sonsbeek 9 Arnhem | 2001 |
|
Book with a distinctive selection from a large number of drawings, dictated by Manders, combined with a few portraits. Edition 600
| ||||||
| 28 | Portraits and Cameras | Mark Manders, Roger Willems | 56 | 29.7 x 21 | Sonsbeek 9 Arnhem | 2001 |
| 27 | 9 tekeningen (free paper) | Marc Nagtzaam | two folded papers | 2 x (68 x 48) | 2001 | |
| 26 | Angus 15 jaar / 3-11-2001 | Mark Manders, Marije Langelaar | 32 | 20 x 27 |
International Sculpture Collection Rotterdam | 2001 |
| 25 | Newspaper with Fives | Mark Manders, Roger Willems | 20 | 41.5 x 29 | Sonsbeek 9 Arnhem | 2001 |
| 25b | Newspaper with Fives (82%) | Mark Manders, Roger Willems | 20 | 34 x 24 | Sonsbeek 9 Arnhem | 2001 |
|
Reduced newspaper with fives. Edition 600
| ||||||
| 24 | China | Mark Manders | 64 | 15.5 x 22.5 | 2001 | |
|
Sequel to ‘Coloured Room with Black and White Scene’. A number of titles are now translated into three dimensional works. Edition 500. ISBN 90 805765 57
| ||||||
| 23 | Waiting for the Laundry | Mark Manders, Marije Langelaar | - | |||
| 22 | Laptop on the Pavement | Mark Manders, Roger Willems, Marije Langelaar | 64 | 13.5 x 19.5 | Poëziezomers Watou | 2002 |
|
Book with various related photographs, made and collected in Arnhem, the Netherlands. Some of the photographs show book pages. It was made on the occasion of a poetry festival in Watou, Belgium. Edition 1,300. ISBN 90 805765 73
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| 21 | Mutanten zonder hart | Marije Langelaar | 12 | 17 x 26 | 2000 | |
| 20 | ROMA 20 A-Z | various | - | |||
| 19 | Work and Non-work | Marc Nagtzaam, Roger Willems | 8 | 21 x 29.7 | 2000 | |
| 18 | Meer avonturen | Maartje Teunissen | paper | 10,5 x 3 | 2005 | |
| 17 | Night Drawings from Self-portrait as a Building | Mark Manders | 22 | 29 x 43 | Greene Naftali Gallery, New York | 2000 |
| 16 | Tokyo Newspaper | Mark Manders, Marije Langelaar | 16 | 27.3 x 40 | Tokyo Opera City Art Gallery, Tokyo | 2000 |
| 15 | Niet niet betreden | Mariës Hendriks | 24 | 15 x 21 | 2000 | |
| 11-14 | Hann. Münden Promotion Posters | Mark Manders, Roger Willems | 50 x 78 | The City of Hann. Münden (G) | 1999 | |
| 10 | Interactief gelukkig | Marije Langelaar | 64 | 14.5 x 21.5 | 2000 | |
|
Fragmented poems that sometimes suggest to be the starting lines of novels, still to be writen. Edition 300. ISBN 90 805765 14
| ||||||
| 9 | Ornament met brandpunten | M. Manders | 48 | 14.5 x 21.5 | 2000 | |
|
Collection of poems by Mark Manders. The abstract cover fits with the title and the precize but detached descriptions, which evoke a probing mental perception of the fictional character Mark Manders. Edition 300. ISBN 90 805765 22
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| 8 | Ll | Jaap Kroneman, Batia Suter, Roger Willems | 32 | 32 x 46 | 1999 | |
| 7 | Het lezen | Marije Langelaar | 4 | 13.7 x 21 | 2000 | |
| 6 | 32544 Assoziative Wortkörper | Mark Manders, Roger Willems | 32544 | 21 x 30 | S.M.A.K. Ghent (B) | 1999 |
|
A 108-volume book (32,544 pages) containing all existing German words grouped in associative units of five words per page. The three words 'Seelenwanderung', 'Geben', and 'Plastiktüte' from this book have been framed alongside three corresponding photographs. In this way, the words and photographs are guided in their variable meanings. This work is actually endless, since it can continually be expanded with the addition of an infinite number of photographs to each word in the book. Edition 2
| ||||||
| 5 | Newspaper with Fives | Mark Manders, Roger Willems | 20 | 47 x 31.5 | S.M.A.K. Ghent (B) | 1999 |
|
The concept of this free local paper is based on the fascination with the fact that objects outside your body – a row of five calculators, for example – can make your brain think 'five'. The newspaper is filled entirely with fives and was distributed in the German town of Hann. Münden as a supplement to a regional daily. The paper reveals a surprising image of the small, picturesque town. The greater part of the photographs show fives found in Hann. Münden, but others were staged, such as the graffiti and the traffic signs arranged in groups of five at night. Edition 100,000
| ||||||
| 4 | Hann. Münden Promotion Poster | Mark Manders, Roger Willems | 50 x 78 | The city of Hann. Münden (G) | 1999 | |
| 3 | Coloured Room with Black and White Scene | Mark Manders | 88 | 15.5 x 22.5 | Galerie Friedrich, Bern (CH) | 1999 |
| 2 | Elka Oudenampsen | Elka Oudenampsen | 40 | 15.5 x 22 | Loerakker Galerie, Amsterdam | 1999 |
| 1 | (SOME) | Marc Nagtzaam | 40 | 17 x 23.5 | 1998 | |