| TITLE | ARTIST(S) | PAGES | SIZE (in cm.) | IN COLLABORATION WITH | YEAR | |
| 135 | Plans d'évasion | Michel François | 360 | 26,5 x 21 | S.M.A.K., Ghent / I.A.C., Villeurbanne | 2010 |
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Extensive monograph about the work of Michel François. With texts by Guillaume Desanges and Jean-Paul Jacquet, and an introduction by Philippe Van Cauteren and Nathalie Ergino.
Epilogue: In a seemingly marked-out, hierarchical world which is far more chaotic and uncontrolled than it appears, Michel François's essentially sculptural work, which on the contrary is obviously chaotic and subtly framed, is a model of sensual and ideological reconfiguration of the immediate. His delight in forms and games of representation derives from his wonderment at the world's materials, nature, situations or ideas. Despite the sometimes sombre rawness of some references, the artist ultimately sets out to reconcile what are sometimes distant and contradictory fields in the world of art. Highly formal sculpture underpinned by a set of complex theoretical and ideological strata, laying claim to a liberal art, while accepting the slavish share of work. The ideological issues of modernity (the everyday as material, art as a cosa mentale, universality of forms, abstraction, seriality), without ignoring the great issues of classical art (perspective, nature, manual work, metaphor, illusion, trompe-l'oeil). A focus on the world and on the intimate sphere, neutralised by elegant detachment from forms. Representative clarity and simplicity, contrasted with indeterminate perception. In short, acceptance of physical and moral responsibility for the fundamental demands of sculpture, without sacrificing freedom, risk and uncertainty. (Guillaume Desanges) | ||||||
| 132 | Passages Through (the Unfinished Monument) | Tamuna Chabashvili, Adi Hollander, Vesna Madzoski (ed.) | 192 | 20 x 13 | Public Space With A Roof | 2010 |
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Story about a project for the KIASMA Museum in Helsinki, Finland, that was canceled two weeks before its realization. It was intended to become an installation of three intersecting Möbius strips 'circling' around the gallery, functioning as a platform to exhibit works of other artists. Finally only a model of this structure was created and photographed with a pinhole camera. On the images, the structure is still visible, but their blurry and foggy atmosphere shows a different universe, closer to the world of dreams and imagination.
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| 130 | Cast (part 2) | Raymond Taudin Chabot | 32 | 16 x 23 | Fw: | 2009 |
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The booklet starts with a sequence of photographs and reproductions leading to an image of a golden pretzel, depicting a sculpture by Taudin Chabot.
It reads like a reflection on different representational forms of decorum and their flipside within photography.
Unexpectedly the sequence switches to images of clocks, tables, television sets, gambling machines, newspapers and a whole range of devices that are commonly deployed to kill time.
Their origin remains opaque but they indicate a parallel reality that is precarious and clandestine. Edition 600 copies. Made in collaboration with Roger Willems.
Links: www.raymondtaudinchabot.net / www.fw-photography.nl
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| 129 | Libero | Petra Stavast | 200 | 18 x 25 | 2009 | |
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In an abandoned house in Calabria (Italy) Petra Stavast found old pictures and letters. She started to search for the people on these pictures and reconstructed the story behind the images. Design: Hans Gremmen. Edition 750 copies. ISBN 978-90-77459-38-6 Link: www.petrastavast.com
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| 128 | Extended Caption (DDDG) | Stuart Bailey | 112 | 34.5 x 24.5 | Culturgest, Lisbon / Dexter Sinister, New York | 2009 |
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An exhibition in Culturgest, Porto provided the seventh occasion for Stuart Bailey to show a group of artefacts whose only shared connection was that they had appeared somewhere in the pages of Dot Dot Dot - a magazine which he has edited since its conception in 2000. The publication plays with the idea of inverting the regular hierarchy of this magazine where texts are generally treated as primary and images secondary. It contains a leporello reproduction of the exhibition wall with all the 43 artefacts, followed by subsequent reproductions of 43 previously published Dot Dot Dot articles, systematically presented as captions of these artefacts. With texts by Stuart Bailey and Jan Verwoert. Design: Roger Willems and Sam de Groot. ISBN 978-90-77459-37-9. Read more: www.dot-dot-dot.us/index.html?id=55
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| 127 | Blaka Watra Spiders (Me & You on a Golden Avenue) | Saskia Janssen | 64 | 21 x 28.5 | Art and Public Space Research Group, Gerrit Rietveld Academy, Amsterdam | 2009 |
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Report on Janssen's encounters in the Blaka Watra drug users' room in Amsterdam during the period 2006 to 2008. With drawings of spiderwebs by Blaka Watra visitors. Jackson: 'This is the real shit, man! A spiderweb! Thats my life.' Design: Jaan Evart (Werkplaats Typografie, Arnhem) & Indrek Sirkel. ISBN 978-90-77459-36-2
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| 126 | I pass, like night, from land to land; I have strange power of speech. | Paul Elliman | 16 | 17 x 24 | 2009 | |
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'Phantom Radio Extended Shipping Forecast'. Notes for radio imagery and typography. Collected, compiled and rewritten by Paul Elliman as supplement to Batia Suter's Parallel Encyclopedia. Designed by Radim Pesko with Roger Willems.
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| 125 | Reverse Chronology | JCJ Vanderheyden | 32 | 21 x 26 | 2009 | |
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Reverse Chronology, subjectively compiled by the artist. This booklet is a reproduction of a hand glued sketch made during the process of making "The Analogy of the Eye" (Roma Publication 122). Printed in an edition of 750 copies.
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| 124 | Heel Ander Blad | Luuk Wilmering | 24 | 30 x 41.5 | Luuk Wilmering / De Pont, Tilburg | 2009 |
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Newspaper collage by Luuk Wilmering, handmade between 2006-2008, compiled with text and image fragments from regular issues of NRC Handelsblad. This newspaper is part of the presentation "Luuk Wilmering / Krant - Journal" at De Pont museum of contemporary art, Tilburg, from 17.01 - 15.03 2009. Read more: De Pont press-release / See more: www.luukwilmering.nl
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| 123 | One Time One Million (Migratory Birds / Romantic Capitalism) | Susanne Kriemann | 122 | 22 x 27.5 | Stedelijk Museum Bureau Amsterdam | 2009 |
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An original Swedish Hasselblad camera is the point of departure for One Time One Million. Because the camera dates from 1942, this object launched Kriemann straight back into history.
Kriemann succeeds in pushing the concrete politics that adhere to this object into the background. That gives her room to say much more than she would have had a chance to say in a specifically political context: she can bring clusters together in new images, make new connections, rearrange things, tinker around, and thus arrive at new insights. (Els Roelandt in SMBA Newsletter No. 108) | ||||||
| 122 | JCJ Vanderheyden / The Analogy of the Eye | JCJ Vanderheyden | 264 | 21 x 26 | Culturgest, Lisbon | 2009 |
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Extensive book about the work of Dutch artist JCJ Vanderheyden (Den Bosch, 1928), presented with a retrospective exhibition in Culturgest, Lisbon. Edited and designed by Roger Willems, Mark Manders and Jaap van Triest in close collaboration with the artist. Texts by Nickel van Duijvenboden, Mark Kremer, Dieter Roelstraete and Miguel Wandschneider. Texts in English, with translations in Portuguese and Dutch. ISBN 978-90-77459-31-7
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| 121 | Untitled (Onkenhout) | Arnoud Holleman | leporello | 21 x 29.7 | 2008 | |
| 120 | (Untitled) | Geert Goiris | 8 (leporello) | 21 x 27 | Wiels, Brussels | 2008 |
| 119 | Hypocotyl Raki | Mark Manders | 16 | 35 x 48 | 2008 | |
| 118 | Plateau | Nickel van Duijvenboden | 48 (x2) | 14 x 20.5 | 2008 | |
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Novel written by Van Duijvenboden, published as set of two books; one in English and one in Dutch. Plateau features two scientists stationed on the Arctic drift ice for a year in the Cold War era. "Except for the stars there were no reference points here: no hills, no mainland, no vegetation &ndash nothing that counterbalanced the uniform character of this frozen ocean landscape." The question how the expedition members should relate to this landscape forms the heart of a discussion which seems to be driving them apart. ISBN 978 90 77459 33 1 / Link: www.ilfaut.nl
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| 117 | Siedlung | Erik van der Weijde | 256 | 16 x 22 | 2008 | |
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240 Houses in 16 settlements, built in Nazi Germany between 1933 and 1945, photographed by Van der Weijde in the spring of 2008. ISBN 978-90-77459-32-4 / Link: www.erikvanderweijde.com
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| 116 | Wonder Years / Werkplaats Typografie 1998-2008 | Various | 256 | 23 x 30 | ArtEz | 2008 |
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Book on the occasion of the 10th anniversary of the Werkplaats Typografie in Arnhem. Edited and designed by Alex DeArmond, Jeremy Jansen, Julie Peeters, Scott Ponik, Boy Vereecken and Lisette Smits.
With contributions by Stuart Bailey, Uta Eisenreich, Paul Elliman, Raimundas Malasauskas, Karel Martens, Armand Mevis, Radim Pesko, and Willem Oorebeek. ISBN 9789077459300 / Link: www.werkplaatstypografie.org
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| 115 | (Untitled) | Geert Goiris | 8 (leporello) | 21 x 27 | 2008 | |
| 114 | China/S75 | Petra Stavast | 36 | 16.5 x 23.5 | 2008 | |
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Portraits by Petra Stavast, photographed with a mobile phone. Designed by Hans Gremmen. ISBN 978 90 809988 3 4 / Link: www.petrastavast.com
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| 114b | Eva (II) | Petra Stavast | 36 | 70 x 87 | De Vleeshal, Middelburg | 2010 |
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Portrait (Eva (II), 2008) by Petra Stavast, photographed with a mobile phone, printed in offsetprint on newspaper stock. Edition 300 / Link: www.petrastavast.com
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| 113 | Neem me mee, zei de hond. | Wim Brands | 16 | 17 x 24 | 2008 | |
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Collection of poems by Wim Brands, illustrated by Oksana Pasaiko (Two Meteorite Rocks, Cut in Favorit Angels). Design: Roger Willems. Edition 300 copies.
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| 112 | (Untitled) | Stephan Keppel | 12 (leporello) | 16.5 x 21 | Fonds BKVB | 2008 |
| 111 | Serendipity | Hans Gremmen (ed.) | 104 | 19 x 26 | 2008 | |
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Book edited by graphic designer Hans Gremmen with a selection of 'test prints' found at the silkscreen workshop of Paul Wyber of WyberZeefdruk in Amsterdam. The book contains reproductions as well as unique fragments from original prints by the following designers and artists:
Jan Bons, Armand Mevis, Linda van Deursen, Lex Reitsma, Julia Born, Laurenz Brunner, Gielijn Escher, Annet Gelink, Ryan Gander, Roger Willems, JCJ Vanderheyden, Roland Schimmel, Nancy Spero, Carlos Amorales, Coppens Alberts, Connie Nijman, Anthony Burrill, Scott King, KesselsKramer, Jan Cremer, Gebroeders Silvestri, Stèphanie de Vilder, Experimental Jetset, mevrouw Kramer, Mark van Holden, Linda Jensen. With an adapted chapter from 'Sindbad in Serendip' by Richard Boyle.
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| 110 | Nancy Spero's Alphabet of Hieroglyphs | Nancy Spero | 2 posters | 2 x (80 x 119) | De Appel Arts Centre, Amsterdam | 2008 |
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Set of two silkscreen posters with an inventory of all motifs from Nancy Spero's zinc and polymer plates since 1975. Edited by Roel Arkesteijn. Design: Connie Nijman and Roger Willems. İ Nancy Spero 2008
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| 109 | Codex Spero / Nancy Spero - Selected Writings and Interviews 1950-2008 | Roel Arkesteijn (ed.) | 200 | 20 x 28 | De Appel Arts Centre, Amsterdam | 2008 |
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Book with a selection of statements, correspondence, essays, lecture notes, interviews, personal photographs and other ego documents from Nancy Spero (Cleveland, Ohio, 1926). An overview of all the visual motifs that Spero has used in her work since the mid-1970s completes this volume. Edited by Roel Arkesteijn, in close collaboration with the artist. ISBN 978-90-77459-28-7
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| 108 | Psychoscope | Roland Schimmel | 48 + DVD | 21 x 29.7 | Culturgest, Lisbon | 2008 |
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Book and dvd by Roland Schimmel with an essay by Dieter Roelstraete and an introduction by Miguel Wandschneider. ISBN 978 90 77459 27 0
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| 107 | That's Painting | Bernard Brunon | 116 | 15 x 21 | FRAC Lorraine | 2008 |
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With less to look at, there's more to think about. That was the motto Bernard Brunon gave to his company "That's Painting Productions" some twenty years ago, when his work as a house painter became his activity as an artist. This development didn't happen over night. The interviews in this book by Michael Kosch and Pascal Beausse describe the process and explain the motivations behind this trajectory.
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| 106 | Intimate Relations | Marlene Dumas | 140 | 21 x 26 | Jacana Media, Johannesburg | 2007 |
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Book with a personal selection of paintings, drawings, early works, and writings. Compiled on the occasion of Dumas's first solo show in South Africa after moving to The Netherlands thirty years ago. Edited by Marlene Dumas, with text contributions by Emma Bedford, Marlene van Niekerk, Achille Mbembe and Sarah Nuttall. ISBN 978-90-77459-24-9
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| 105 | Multiplicity | Frank van der Salm | 16 | 24 x 34 | Fries Museum Leeuwarden | 2008 |
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Published on the occasion of the exhibition Multiplicity at the Fries Museum, Leeuwarden (20.1-13.4.08). Text by Shumon Basar and Frank van der Salm.
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| 104 | Cast (part 4) | Raymond Taudin Chabot | 56 | 24 x 34 | 2007 | |
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Sequence of newspaper images collected by Raymond Taudin Chabot as source material for his 'men-in-suit' slow motion video works (see: www.raymondtaudinchabot.net). Edited by Roger Willems.
This publication has been made possible by financial support from The Netherlands Foundation for Visual Arts, Design and Architecture Amsterdam. ISBN 978-90-77459-23-2
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| 103 | Beauty Unrealized | Tamuna Chabashvili, Adi Hollander, Vesna Madzoski (ed.) | 56 | 17 x 24 | Public Space With A Roof |
2007 |
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The publication "Beauty Unrealized / spider webs of personal universes seeking a form" is the testimony of a series of collaborative ventures, organized by artist-run space Public Space With a Roof, Amsterdam. With contributions by Thomas Hirschhorn, Robert Garnett, Keren Cytter, Philippe-Alain Michaud, Atsushi Sasaki, Michel de Broin, Benoit Goupy, Falke Pisano, Maurits Fennis, Emiliano Gandolfi, Mark Manders, Francesco Bernardelli, Claudio Baroni &
Fabian Marcaccio, Marko Kosnik, Angela Serino, and others.
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| 102 | Two | Marc Nagtzaam | 16 + 4 | 17 x 23 | 2007 | |
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The early part of Nagtzaam's collected text samples, released on the occassion of the group exhibition "Drawing Typologies", Stedelijk Museum Amsterdam 29.06 - 16.09.2007 / Link: www.marcnagtzaam.info
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| 101 | Post-production | various | 59.4 x 84 (x11) | Artis Den Bosch |
2007-08 | |
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Series of 11 posters, compiled by Roger Willems. These posters were printed in the same print runs as the invitations for artists run space Artis Den Bosch during 2008 and 2009. A limited part of these print runs was saved uncut. Only 38 out of 50 clean sets are available for distribution. With special thanks to Drukkerij Tielen, Boxtel.
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| 100 | Parallel Encyclopedia | Batia Suter | 592 | 21 x 28 | 2007 | |
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A voluminous book containing a precise composition of images from other books. With supplement by Paul Elliman: I pass. like night, from land to land; I have strange power of speech.
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| 99 | Penny on Wood | Mark Manders | 16 + insert | 21 x 27 | 2007 | |
| 98 | Full Grown Man | Wouter van Riessen | 64 | 19 x 26 | 2007 | |
| 97 | Suggested Taxation Scheme | Gabriel Kuri | 44 | 24 x 17 | 2007 | |
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Publication based on the installation "Tillaga ad Skattaaaetlun / Suggested Taxation Scheme / Reforma Fiscal", made for the exhibition "Work Time, Life Time, Material Time", Reykjavik Arts Festival, 2005. Text by Jessica Morgan. ISBN 978-90-77459-19-5
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| 96 | The Whole World - Without Me = The Whole World | Oksana Pasaiko | cards | 14.8 x 10.5 | Nobody sir | 2004-07 |
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Growing series of double-sided postcard-works by Oksana Pasaiko. The cards are presented in 3 different ways: 1. In vitrines or on pedestals behind glass, front and back of card presented next to each other with a distance of 12 mm; 2. As give away cards; 3. On the wall with front and back of the card presented next to each other with a distance of 12 mm.
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| 95 | Lógicas Desviadas | Irene Kopelman | 16 | 28.5 x 21 | AVAM, Naval Museum of Madrid | 2006 |
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Drawings by Kopelman based on historical maps dated from the XVI to XIX centuries. 'Lógicas Desviadas' is the first volume of the series 'Notes on Representation' by Kopelman. Edition: 250 copies.
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| 94 | Curculio Bassos / Sonantal Lush | Mark Manders | 8 + 8 | 35 x 48 + 17.5 x 24 | 2006 | |
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Papier-mache newspaper with insert, especially produced to be used in sculptures. Typography: Hans Gremmen.
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| 93 | 11 tekeningen (free paper) | Marc Nagtzaam | two folded papers | 2 x (68 x 48) | Homework, Maastricht | 2006 |
| 92 | Count Down | Roland Schimmel | poster | 68 x 48 | Culturgest, Lisbon | 2006 |
| 91 | Ghent / Lisbon / Porto Drawings | Bart Lodewijks | 96 | 16.5 x 22.5 | Culturgest, Lisbon / S.M.A.K. Ghent | 2006 |
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Book about a series of site specific wall drawings by Lodewijks produced in streets and exhibition spaces in Ghent, Lisbon and Porto. Text by Frank Maes (English, Portuguese, Dutch). ISBN 978 90 77459 171
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| 90 | Os livros fazem amigos | Various | 120 | 15 x 21 | Culturgest, Lisbon | 2006 |
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Published on the occasion of the exhibition 'Roma Publications' in Culturgest, Lisbon, from May 20 until August 27, 2006. Texts by Christoph Keller, Dieter Roelstraete and Miguel Wandschneider.
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| 89 | Dias abertos | Marije Langelaar (ed.) | 64 | 21 x 27 | Culturgest, Lisbon | 2006 |
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Portuguese double edition of the first two Open Days (Roma Publications 38 and 70). Dutch and Flemisch poems, selected by Marije Langelaar, combined with various works of art. Translated by Fernando Venâncio. Contributions by: Michaël Borremans, René Puthaar, Batia Suter, Noritoshi Hirakawa, Menno Wigman, Ilja Leonard Pfeijffer, Albertina Soepboer, Anneke Brassinga, Arturo Herrera, Mark Langelaar, Ronald Ohlsen, Piet Gerbrandy, Gwy Mandelinck, Dirk Braeckman, Luc Tuymans, Roger Willems, Arjen Duinker, Marije Langelaar, Tsead Bruinja, Wouter van Riessen, Johannes Kahrs, Maria Barnas, Leonard Nolens, Mark Manders, Annelies Strba, Daan van Golden, Raoul De Keyser, K. Michel, Menno Wigman, Tonnus Oosterhoff, Bas Jan Ader, Eva Gerlach, Miriam Van hee, Mark Boog, Dirk van Bastelaere, John Currin, Jannah Loontjens, Wouter Godijn, Hester Knibbe, Kees Goudzwaard, Rogi Wieg, Barry Flanagan, Franky D.C., Gerhard Richter, Peter Verhelst, Miguel Declercq, Franz Gertsch, José María Rodriguez Plaza, JCJ Vanderheyden, Yun-Fei Ji, Boris Mikhailov. ISBN 90 77459 14 6
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| 88 | Surplus | Marc Nagtzaam | 48 | 19 x 26 | Culturgest, Lisbon | 2006 |
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Texts fragments collected and drawn by Nagtzaam between 1998 and 2006. ISBN 90 77459 146 / Link: www.marcnagtzaam.info
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| 87 | Ornamento com pontos focais | Mark Manders | 16 | 23 x 31 | Culturgest, Lisbon | 2006 |
| 86 | Sequent | Kees Goudzwaard | 64 | 21 x 28 | Culturgest, Lisbon | 2006 |
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Book about new paintings of Kees Goudzwaard (sequel of Roma Publication 50 'Frontal Views') on on the occasion of his solo-exhibition in Culturgest, Lisbon, from May 20 until August 27, 2006. Texts by Delfim Sardo, Sebastian Hackenschmidt and Miguel Wandschneider.
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| 85 | Kunstverein Ahlen | various | 12 x 16.5 | Kunstverein Ahlen | 2006 - | |
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Growing series of publications related to exhibitions in Kunstverein Ahlen, curated by Philippe Van Cauteren. Design: Joana Katte, Berlin
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| 84 | W139 - Amsterdam, Report of an Ongoing Journey | various | 304 | 17 x 22.5 | W139, Amsterdam | 2006 |
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W139 from November 30, 2002 till April 30, 2006. A continuous transformation process that is amply documented in this book. Introduction by Ann Demeester. ISBN 90 77459 11 1
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| 83 | Short Sad Thoughts | Mark Manders | 72 | 20 x 27,5 | BALTIC Centre for Contemporary Art, Gateshead | 2006 |
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Catalogue about Manders' solo exhibition at BALTIC Centre for Contemporary Art, Gateshead. Texts by Penelope Curtis, Mark Manders, Marije Langelaar, and Ronald Van de Sompel. Distribution in the UK by Cornerhouse Publications Ltd. / Distribution outside the UK by IDEA Books. ISBN 1 903 655 269
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| 82 | Blind Spot | Roland Schimmel | 64 | 20 x 28 | Boijmans van Beuningen, Rotterdam | 2006 |
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Book with works by Roland Schimmel. Text by Eva Wittocx. Edition 1000. ISBN 90 77459 00 6
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| 81 | „Freut Euch“ | Michael Dörner | 20 | 15 x 21 | Kunstverein Göppingen (DE) | 2006 |
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Booklet about the raining umbrella on Spitalplatz, Göppingen (DE). Text by Werner Meyer. Edition 500.
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| 80 | Untitled (Post-production) | JCJ Vanderheyden | 3 posters | 3 x (70 x 100) | Artis, 's-Hertogenbosch | 2006 |
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Set of three posters by JCJ Vanderheyden. Silkscreen on paper, unsigned and unnumbered in an edition of 200.
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| 79 | EucaryoteTarp | Mark Manders | 8 | 35 x 48 | BALTIC Centre for Contemporary Art, Gateshead | 2005 |
| 78 | Compost Index | Gabriel Kuri | 68 | 28 x 20 | Conaculta, Mexico City | 2005 |
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Book about the work and thoughts of the Mexican artist Gabriel Kuri, published in co-production with CoNaCultA, with support from kurimanzutto, Mexico City and Franco Noero Gallery, Torino. Texts by Dieter Roelstraete, and Maxine Kopsa. ISBN 90 77459 10 3
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| 77 | 3 | Geert Goiris | 3 cards | 3 x (22 x17.6) | 2005 | |
| 76 | Cristof Yvoré | Cristof Yvoré | 44 | 17 x 12.5 | Zeno X Gallery Antwerpen | 2005 |
| 75 | Reconstructing Time | Irene Kopelman | 24 | 23.5 x 16.5 cm | Artis Geological Museum | 2005 |
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Outcome of a year of research and production by Irene Kopelman within the Artis Geological Museum, Amsterdam. It shows a series of handcrafted porcelain 'replicas' of a select part of the museum's Holotype collection, and a series of drawings of microfossils, that attempt to describe what the naked eye cannot see.
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| 74 | Parallel Encyclopedia | Batia Suter | DVD | 2006 | ||
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Filmic sequence of numerous newspapers photographs collected and arranged by Suter. www.batiasuter.org
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| 73 | Short Sad Text (based on the borders of 14 countries) | Oksana Pasaiko | Hair on soap | 7.5 x 5.3 x 2.4 | 2004-05 | |
| 72 | La Roquette Secrète | Mark Langelaar | 8 | 23.5 x 32 | 2006 | |
| 71 | Broadway Marquise | Roland Schimmel | poster | 70 x 100 | S.M.A.K. Ghent |
2005 |
| 70 | Open Days | Marije Langelaar (ed.) | 32 | 21 x 27 | S.M.A.K. Ghent |
2005 |
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The second in the series Open Days publications. It contains Dutch and Flemisch poems combined with various works of art, selected by Marije Langelaar. With contributions by : Daan van Golden, Raoul De Keyser, K. Michel, Menno Wigman, Tonnus Oosterhoff, Bas Jan Ader, Johannes Kahrs, Eva Gerlach, Miriam Van hee, Mark Boog, Dirk van Bastelaere, John Currin, Mark Langelaar, Jannah Loontjens, Wouter Godijn, Hester Knibbe, Kees Goudzwaard, Wouter van Riessen, Rogi Wieg, Barry Flanagan, Franky D.C., Gerhard Richter, Peter Verhelst, Miguel Declercq, Franz Gertsch, José Maria Rodriguez Plaza, J.C.J. Vanderheyden, Yun-Fei Ji, Boris Mikhailov. Design: Roger Willems. This publication was published on the occasion of the exhibition 'ROMA Publications 1998-2005' in S.M.A.K. Ghent, May 28 - July 3 2005.
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| 69 | Made out of Wood | Wouter van Riessen | audio CD | 14 x12.5 | 2005 | |
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16 songs by Wouter van Riessen: 1. Morning Moon 2. Hear me Calling 3. Pinocchio 4. Little Maggie 5. Full Grown Man 6. You Sing to me 7. Bye-bye 8. Wouter 9. I Love you 10. Coming Home 11. Snow 12. You Made me Row my Boat Ashore 13. Bring you Home 14. Love Song for a Doll 15. The Stranger 16. Drifting into a Dream
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| 68 | De Rode Hamerclub | Marije Langelaar | 24 | 20 x 28 | 2005 | |
| 67 | (Untitled) | Geert Goiris | 8 (leporello) | 21 x 27 | 2005 | |
| 66 | Face it | Joe Villablanca | 32 | 19.5 x 26.5 | 2005 | |
| 65 | Blind Spot | Roland Schimmel (with David Lopato) | DVD | 18.5 x 26.5 | 2005 | |
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Three abstract movies ('Blind Spot I, II, III') by Roland Schimmel with music by David Lopato. The DVD is packed in a screen printed blind dot book cover. Edition 50
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| 64 | Vlak | Marc Nagtzaam | 16 | 16 x 22 | 2005 | |
| 63b | Hallway with Sentences | Mark Manders | 16 | 20 x 27 | ProjecteSD, Barcelona |
2007 |
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Reprint of 'Hallway with Sentences' on the occasion of "Alguns llibres d'artista (A Few Artist's Books), Roma Publications i Christoph Keller" in ProjecteSD, Barcelona.
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| 63 | Hallway with Sentences | Mark Manders | 16 | 19 x 25.5 | The Irish Museum of Modern Art, Dublin |
2005 |
| 62 | H1: Momente/Monumente | Philippe Van Cauteren, Sebastian Hackenschmidt, Roger Willems (ed.) | 56 | 19 x 25.5 | 2004 | |
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First issue of the magazine H, with contributions by Franz Blei, Erick Beltran, Inga Beyer, Marc Wortmann, Daniel Blochwitz, Dew Bondage, Michael Dorner, Sebastian Hackenschmidt, Hans Blumenberg, Christian Jamarillo, Jac Leirner, Mario Navarro, Luis Egana Rojas, Tanja Schwarz, Elliott Erwitt, Andre Lemke, Philippe Van Cauteren, Thomas Schonberger, Michael Liebelt and Lawrence Weiner, Christel Fetzer. Edition 100. Laserprint. Design: Roger Willems | ||||||
| 61 | From Here to There (and back again) | Various | 128 | 21.5 x 28.5 | W139 |
2004 |
| 60 | (Untitled) | Batia Suter | 168 | 21 x 15 | KesselsKramer |
2004 |
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Book with mainly billboards in which the advertising surfaces display switches, buttons and daily objects. This book (100 signed and bound copies) is a special edition of the publication 'Batia Suter / A meeting outdoors', produced by KesselsKramer and originally published by NEROC'VGM b.v. Amsterdam.
www.batiasuter.org
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| 59 | Five minutes to Die | Iñaki Bonillas | 172 | 29.7 x 21 | 2004 | |
| 58 | 'H0' | Van Cauteren, Hackenschmidt, Willems (ed.) | 12 | 25.5 x 17.7 | 2004 | |
| 57 | 30 Feet | Oksana Pasaiko | 32 | 13.5 x 19.5 | Manifesta 5 |
2004 |
| 56 | (Untitled) | Geert Goiris | folded poster | 63 x 89 | Manifesta 5 |
2004 |
| 55 | Miquel Mont | Miquel Mont | 80 | 19 x 26.8 | Le Sous-sol Paris |
2004 |
| 54 | O, R, G, U & H | Philippe Van Cauteren (ed.) | website | 2004 | ||
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A website documenting a number of modestly scaled projects curated and organized by Philippe
Van Cauteren, diversely sited through the City of Hamburg, Germany. | ||||||
| 53 | In Other Words | Nicolas Floc'h | 208 | 18 x 24.5 | Galerie Le Sous-sol, Frac Nord-Pas de Calais, Frac Champagne-Ardenne, W139 |
2005 |
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The complete work of Nicolas Floc'h from 'Productive Writing'(1995) until recent videoworks. Editing : Roger Willems and Nicolas Floc'h. Texts : Ann Demeester, Léa Gauthier, Pierre Giquel, Emmanuelle Huynh, Philippe Van Cauteren, Nicolas Floc'h. ISBN 90 77459 06 5
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| 52 | Isolated Rooms | Mark Manders | 184 + 56 | 19.5 x 26 | The Art Institute of Chicago and The Renaissance Society at The University of Chicago |
2005 |
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Catalogue covering Mark Manders' double solo show "Isolated Rooms" at The Art Institute of Chicago and The Renaissance Society at The University of Chicago (9.13.2003 -1.4.2004). The book (184 pp.) is accompanied by a exhibition checklist and a 56 pp. reference book. Compilation and design: Roger Willems and Mark Manders.
Texts by: James Cuno and Susanne Ghez, James Rondeau, Dieter Roelstraete, Mark Manders and Marije Langelaar. ISBN 90 77459 09 X
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| 51 | Storage and Display | Dieter Roelstraete & Roger Willems (ed.) | 168 | 17 x 23 | Programa Art Center, Mexico City |
2004 |
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Document of the group exhibition 'Storage and Display' in Programa Art Center, Mexico City, 2003. With: Danai Anesiadou, Hans
Bryssinck & Diederik Peeters, Rodrigo Diaz, Jared Domicio, Nicolas Floc'h, Michel Francois, Kees Goudzwaard, Franciska Lambrechts &
Honore d'O, Erwan Maheo, Mark Manders, Hermann Maier Neustadt, Damian Ortega, Batia Suter, Sofia Taboas, Pieter Vermeersch and many others. ISBN
90 77495 05 7
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| 50 | Frontal Views | Kees Goudzwaard | 92 | 21 x 28 | 2004 | |
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Book about the paintings of the Dutch painter Kees Goudzwaard. Text by Dieter Roelstraete. ISBN 90 77459 07 3 / Link: www.keesgoudzwaard.org
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| 49 | (Untitled) | Geert Goiris | 2 (card) | 17 x 24 | BOZAR Brussel |
2003 |
| 48 | Looking for a Beautiful Place | Bart Lodewijks | 64 | 17 x 24 | Scottish Arts Council |
2003 |
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Documentation of works produced during a two years stay in Scotland. Text by QS Serafijn. ISBN 90 77459 03 0
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| 47 | Photographic Views | Iñaki Bonillas, Dieter Roelstraete, Roger Willems | 40 | 17 x 24 | 2003 | |
| 46 | En we verdroomden de dag... | Wil Heeffer | 40 | 16.5 x 23 | Grafisch Buro Goirle |
2003 |
| 45 | Gedicteerde tekeningen | Mark Manders, Marije Langelaar and 22 children | 56 | 17 x 23 | Stedelijk Museum Amsterdam |
2003 |
| 44 | Over | Marc Nagtzaam | 44 | 16.5 x 23 | 2002 | |
| 43 | Splinters zijn stukken van bomen | Maud Vande Veire | 243 | 12 x 20 | 2002 | |
| 42 | Kaleidoscope Night | Dieter Roelstraete | 56 | 16.5 x 24 | Kröller-Müller Museum |
2002 |
| 41 | Ornament met Brandpunten | Mark Manders | DVD | 2002 | ||
| 40 | Singing Sailors | Mark Manders | 120 | 16.8 x 22.5 | 2003 | |
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Dutch - size reduced - edition of the catalogue 'Singing Sailors'. Texts by Manders and Marije Langelaar. ISBN 90 805765 8 1
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| 39 | Several Drawings on Top of Each Other | Mark Manders | 232 | 19 x 25.5 | Philip Morris Finest Selection Foundation |
2002 |
| 38 | Open Days | Marije Langelaar (ed.) | 32 | 21 x 27 | Kröller-Müller Museum |
2002 |
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This publication was published on the occasion of the exhibition 'ROMA Publications 1998-2002' in the Kröller-Müller Museum, Otterlo. It contains Dutch poems combined with various works of art, selected by Marije Langelaar. With contributions by : Michaël Borremans, René Puthaar, Batia Suter, Noritoshi Hirakawa, Menno Wigman, Ilja Leonard Pfeijffer, Albertina Soepboer, Anneke Brassinga, Arturo Herrera, Mark Manders, Marije Langelaar, Ronald Ohlsen, Piet Gerbrandy, Gwy Mandelinck, Dirk Braeckman, Luc Tuymans, Roger Willems, Arjen Duinker, Tsead Bruinja, Wouter van Riessen, Johannes Kahrs, Maria Barnas, Leonard Nolens, Annelies Strba.
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| 37 | White Book | Inaki Bonillas, Roger Willems | 896 | 17 x 22 | Programa Art Center, Mexico D.f. |
2002 |
| 36 | Thin Newspaper with Drawings | Mark Manders | 16 | 47 x 31.5 | Documenta 11 | 2002 |
| 35 | Singing Sailors | Mark Manders | 128 |
21.6 x 28.8 |
Art Gallery of York University, Toronto (C) | 2002 |
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Catalogue about the work of Mark Manders. Texts by Laura Hoptman, Loretta Yarlow, Marije Langelaar and Mark Manders. ISBN 0 921972 38 5
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| 34 | Poëtisch Panorama | Louis Tiessen | 20 | 21 x 29.7 | 2002 | |
| 33 | Catherine Claeyé | Catherine Claeyé | 48 | 14 x 20 | Caldic Collection, Rotterdam | 2002 |
| 32 | Pingo doce | Mark Manders | 8 | 17.5 x 23 | Museu Serralves, Porto (P) | 2001 |
| 31 | New Anniversaries | Mark Manders, Marije Langelaar | 72 | 23.5 x 32 | International Sculpture Collection Rotterdam | 2001 |
| 30 | Arnhem Promotion Poster | Mark Manders | 68.5 x 96 | 2001 | ||
| 29 | Dictated Drawings | Mark Manders and 27 children | 32 | 16.5 x 23 | Sonsbeek 9 Arnhem | 2001 |
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Book with a distinctive selection from a large number of drawings, dictated by Manders, combined with a few portraits. Edition 600
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| 28 | Portraits and Cameras | Mark Manders, Roger Willems | 56 | 29.7 x 21 | Sonsbeek 9 Arnhem | 2001 |
| 27 | 9 tekeningen (free paper) | Marc Nagtzaam | two folded papers | 2 x (68 x 48) | 2001 | |
| 26 | Angus 15 jaar / 3-11-2001 | Mark Manders, Marije Langelaar | 32 | 20 x 27 |
International Sculpture Collection Rotterdam | 2001 |
| 25 | Newspaper with Fives | Mark Manders, Roger Willems | 20 | 41.5 x 29 | Sonsbeek 9 Arnhem | 2001 |
| 25b | Newspaper with Fives (82%) | Mark Manders, Roger Willems | 20 | 34 x 24 | Sonsbeek 9 Arnhem | 2001 |
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Reduced newspaper with fives. Edition 600
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| 24 | China | Mark Manders | 64 | 15.5 x 22.5 | 2001 | |
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Sequel to ‘Coloured Room with Black and White Scene’. A number of titles are now translated into three dimensional works. Edition 500. ISBN 90 805765 57
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| 23 | Waiting for the Laundry | Mark Manders, Marije Langelaar | - | |||
| 22 | Laptop on the Pavement | Mark Manders, Roger Willems, Marije Langelaar | 64 | 13.5 x 19.5 | Poëziezomers Watou | 2002 |
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Book with various related photographs, made and collected in Arnhem, the Netherlands. Some of the photographs show book pages. It was made on the occasion of a poetry festival in Watou, Belgium. Edition 1,300. ISBN 90 805765 73
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| 21 | Mutanten zonder hart | Marije Langelaar | 12 | 17 x 26 | 2000 | |
| 20 | ROMA 20 A-Z | various | - | |||
| 19 | Work and Non-work | Marc Nagtzaam, Roger Willems | 8 | 21 x 29.7 | 2000 | |
| 18 | Meer avonturen | Maartje Teunissen | paper | 10,5 x 3 | 2005 | |
| 17 | Night Drawings from Self-portrait as a Building | Mark Manders | 22 | 29 x 43 | Greene Naftali Gallery, New York | 2000 |
| 16 | Tokyo Newspaper | Mark Manders, Marije Langelaar | 16 | 27.3 x 40 | Tokyo Opera City Art Gallery, Tokyo | 2000 |
| 15 | Niet niet betreden | Mariës Hendriks | 24 | 15 x 21 | 2000 | |
| 11-14 | Hann. Münden Promotion Posters | Mark Manders, Roger Willems | 50 x 78 | The City of Hann. Münden (G) | 1999 | |
| 10 | Interactief gelukkig | Marije Langelaar | 64 | 14.5 x 21.5 | 2000 | |
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Fragmented poems that sometimes suggest to be the starting lines of novels, still to be writen. Edition 300. ISBN 90 805765 14
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| 9 | Ornament met brandpunten | M. Manders | 48 | 14.5 x 21.5 | 2000 | |
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Collection of poems by Mark Manders. The abstract cover fits with the title and the precize but detached descriptions, which evoke a probing mental perception of the fictional character Mark Manders. Edition 300. ISBN 90 805765 22
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| 8 | Ll | Jaap Kroneman, Batia Suter, Roger Willems | 32 | 32 x 46 | 1999 | |
| 7 | Het lezen | Marije Langelaar | 4 | 13.7 x 21 | 2000 | |
| 6 | 32544 Assoziative Wortkörper | Mark Manders, Roger Willems | 32544 | 21 x 30 | S.M.A.K. Ghent (B) | 1999 |
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A 108-volume book (32,544 pages) containing all existing German words grouped in associative units of five words per page. The three words 'Seelenwanderung', 'Geben', and 'Plastiktüte' from this book have been framed alongside three corresponding photographs. In this way, the words and photographs are guided in their variable meanings. This work is actually endless, since it can continually be expanded with the addition of an infinite number of photographs to each word in the book. Edition 2
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| 5 | Newspaper with Fives | Mark Manders, Roger Willems | 20 | 47 x 31.5 | S.M.A.K. Ghent (B) | 1999 |
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The concept of this free local paper is based on the fascination with the fact that objects outside your body – a row of five calculators, for example – can make your brain think 'five'. The newspaper is filled entirely with fives and was distributed in the German town of Hann. Münden as a supplement to a regional daily. The paper reveals a surprising image of the small, picturesque town. The greater part of the photographs show fives found in Hann. Münden, but others were staged, such as the graffiti and the traffic signs arranged in groups of five at night. Edition 100,000
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| 4 | Hann. Münden Promotion Poster | Mark Manders, Roger Willems | 50 x 78 | The city of Hann. Münden (G) | 1999 | |
| 3 | Coloured Room with Black and White Scene | Mark Manders | 88 | 15.5 x 22.5 | Galerie Friedrich, Bern (CH) | 1999 |
| 2 | Elka Oudenampsen | Elka Oudenampsen | 40 | 15.5 x 22 | Loerakker Galerie, Amsterdam | 1999 |
| 1 | (SOME) | Marc Nagtzaam | 40 | 17 x 23.5 | 1998 | |