Publication coinciding with the exhibition The Moon Has a Complicated Geography at De Vleeshal, Middelburg, in which the artists have been given 16 blank pages to employ as a parallel space, alongside those of De Vleeshal. Besides documenting the exhibition, the publication demonstrates some of the interpretative dynamics between the artists' ad hoc interventions on its pages.
With contributions by Van Brummelen & De Haan, Arnoud Holleman, Hedwig Houben, Gert Jan Kocken, Wendelien van Oldenborgh, Willem Oorebeek, Vincent Vulsma and Elisa van Joolen. Curated by Lorenzo Benedetti. Design: Roger Willems. ISBN 978 90 77459 959
Link: www.vleeshal.nl
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This fifth volume with art projects by Irene Kopelman consists of three sets of drawings made in the Amazon rainforest (Light Fragments, From the River, Forest Windows), and a set of paintings (Forest Windows). Besides reproductions of the complete series, the book contains detailed work notes covering Kopelman's stay in the jungle from May 9 till June 20, 2012. In contrast to the wideness of the landscapes of rocks and glaciers she has previously worked on to reproduce in detail, Kopelman experienced an opposite of distance by working in a jungle that entirely surrounded her. Edited by Moosje Goosen. Design: Roger Willems. Text in English and Spanish.
Link: www.kunsthallesanktgallen.ch
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The book contains a selection of approximately 90 works from the last 15 years. They have not been given a chronological or thematic order but have been set in sequence in a manner characteristic of Goiris whereby the images become the components of an estranged storyline. Whilst research plays an important role in his approach towards the subjects and geographical locations he depicts, Goiris removes the photos from their documentary reality and directs the work towards fiction. They are rather sublimated images that dont appear to be from here or from now. The captured images witness an almost disturbing wonderment, such as the image of the permafrost landscape wherein the tracks of vehicles remain visible for centuries. Comprising specifically written texts by Nickel van Duijvenboden, Matthew Vollgraff and Geert Goiris himself (Myths, Places and Protagonists), this book can be seen as a project in its own right presented in conjunction with the exhibition at the M- Museum Leuven. Design: Roger Willems. ISBN 978 90 77459 935
Link: www.mleuven.be
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106 minutes conversation between Luc Deleu and Jef Lambrecht while flipping through, and commenting on Deleu's early diary 'Tribune', which was made between 1971 and 1978. The diary counts 300 pages, richly covered with clippings, photographs, advertisements, sketches, stamps, notes, drawings, logos, cartoons, advertising leaflets, and maps. Besides reflecting on world history and events taking place in the first half of the seventies, the book refers to Deleu's works created during this period, and to works that he realized only years later. Sublimated in collages, illustrations, sketches and projects, 'Tribune' expresses Deleu's fresh desire for a global mobility and mobile architecture, and marks the start of his "artistic journey". Text booklet: Christophe Van Gerrewey. Camera and editing: Wim Catrysse. With subtitles in Dutch and English. Design: Roger Willems. ISBN 978 9077459 928
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Since 2006 Kasper Andreasen has developed a body of work centered on drawing and mapping. 'Writing Over' is a companion volume to an installation that was part of an exhibition held at Netwerk in Aalst in the summer of 2012. The artist's book is divided into two parts, 'Atlas' and 'Atlas Archive'. The drawings in 'Atlas' are based on landscape photographs, medieval maps, and notations, and are rendered in different types of drawing marks. The works in 'Atlas Archive' are part of a study of writing and drawing surfaces used in the course of a cartographic process: sketches, writings, stamps, and engraving plates. Design and text by Louis Lüthi. ISBN 978 90 77459 91 1
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Collection of poems by Dieter Roelstraete, with annotations.
ISBN 978 90 77459 82 9

Staring at the world outside the train,
The dark-clad devil of longing for nothing
Has wormed his way into my brain.

The ghost of gloom cast the first glove;
I finally picked it up  I no longer abstain.
Let the genie from the inkwell hover far above.

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Invited by the City of Ronse - a small town in Belgium - Lodewijks worked in the Prinskouter district between 2010 and 2012. During this period of time he was producing drawings with blackboard chalk on walls. Starting by drawing on anonymous outdoor walls and industrial property, he became a known face in the area and succeeded to get permision to draw on facades and interiors of private homes. Next to images the book offers a beautiful text written by the artist about his encounters with the people in the neigbourhood. Design: Roger Willems. ISBN 978 90 77459 90 4
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Kopelman described five projects dealing intensively with research, traveling, observing, and drawing. Her descriptions and work notes give insight in Kopelman's relation to sience and point at the distinction between what one knows and what one sees. More than showing results she shares a mental process evolving in every project. In Meditation Piece she draws a tiny desert stone for a month on a daily base. Halfway she notes: 'And still, I like spending time in front of the stone, in front of a problem that repeats itself every day. It's a familiar feeling, and therefor gentle to the mind. How will I go about today? The stone is the same; I am most probably not.'
The text has been adapted from her doctoral dissertation, defended in September 2011. Text edited by Moosje Goossen. Design: Roger Willems. ISBN 978 90 77459 88 1
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Voebe de Gruyter is an artist who makes propositions about unexpected scientific phenomena and other patterns which reveal themselves in everyday situations. Her work abounds with elementary particles: points of concentration, information particles, small units which contain multitudes, the artist once explained. For this publication De Gruyter went through her complete inventory and studio archives. With texts by Maria Barnas and Roel Arkesteijn, plus explanatory notes by the artist for almost all of the works. Design: Felix Weigand. ISBN 978 90 77459 87 4
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Mark Manders was awarded the Heineken Prize for Art in 2010. On this occasion Roma Publications compiled this almost encyclopedic book which covers Manders' oeuvre from the late 1980s until the present. It contains facsimiles of previous artist's publications and a focus on a large number of recent, never-before-published works. The moment of publishing is timed to coincide with Manders representing the Netherlands at the 55th Venice Biennale in 2013.
With texts by Mark Manders, Nickel van Duijvenboden, and Maria Barnas. Design: Roger Willems. ISBN 978 90 77459 86 7
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This artist's book is published on the occasion of Dedobbeleers solo exhibition at Lokremise St. Gallen, travelling to Centre dart contemporain dIvry, Le Crédac, Ivry-sur-Seine, and De Vleeshal, Middelburg. The book, together with Dedobbeleer's sculptural works, reflects in a refined, and sometimes humorous manner on centuries-old traditions in sculpture, sophisticated design and banal, everyday culture. ISBN 978 90 77459 85 0
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TRACK is an international art exhibition taking place in the public and semi-public space of Ghent from 12 May till 16 September 2012. It offers unexpected encounters with the city, its history and its inhabitants, stimulating reflection on urban realities and, in a wider sense, the contemporary human condition. Curators Philippe Van Cauteren and Mirjam Varadinis invited forty-one artists to conceive artworks strongly rooted in the urban fabric of Ghent, but linking the local context with issues of global significance.
Participating artists: Lara Almarcegui, Pawel Althamer, Sven Augustijnen, Alexandra Bachzetsis, Massimo Bartolini, John Bock, Michaël Borremans, Mike Bouchet, Lonnie van Brummelen & Siebren de Haan, Christoph Büchel, Peter Buggenhout, Mircea Cantor, Leo Copers, Simona Denicolai, Michael Elmgreen & Ingar Dragset, Peter Fischli & David Weiss, Cyprien Gaillard, Mekhitar Garabedian, Christina Hemauer Roman Keller, Adelita Husni-Bey, Tadashi Kawamata, Susanne Kriemann, Alon Levin, Erik van Lieshout, Bart Lodewijks, Emilio López-Menchero. Erwan Mahéo, Mark Manders, Teresa Margolles, Ahmet Ögüt, Ivo Provoost, Tobias Putrih, Tazu Rous, Yorgos Sapountzis, Superflex, Pilvi Takala, Pascale Marthine Tayou, Javier Téllez, Tercerunquinto, Benjamin Verdonck, Danh Vo, Lawrence Weiner.
Texts by: Claire Bishop, Chris Dercon, Boris Groys, Stefan Hertmans, a.o. (Dutch and English).
Editing and design: Lieze Eneman, Roger Willems, Hans Gremmen. ISBN 978 90 77459 83 6
Link: http://www.track.be/en
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As a sequel to his previous books 'Spomenik' and 'Picturesque', the photographs in this special edition are also part of Kempenaers' artistic research project on contemporary picturesque. A filmic sequence of photographs of a massive rock is printed on a cardboard leporello which measures 33 x 345 cm when unfolded. It contains an original colour lambda print, signed and numbered in an edition of 500. Design: Roger Willems. ISBN 978 90 77459 84 3
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From the early geometric abstraction to the recent series of silhouette paintings, passing through photographic works and ephemera never printed before, Apperception offers a comprehensive gathering of Daan van Goldens work to date. It also includes a list of his work, arranged by medium and chronologically, and the collections that hold them. Essays by Devrim Bayar, Sven Lütticken and Erik Thys (English/Dutch/French). Design: Inge Ketelers. ISBN 978 90 77459 81 2
Link: www.wiels.org/event.php?event_id=941
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Different from a regular exhibition catalogue, this book contains autonomous contributions by 14 artists who where invited by curator Lorenzo Benedetti to take part in the exhibition 'Autumn of Modernism' at De Vleeshal, Middelburg. The contributions somehow respond in an indirect way to the social changes of our day, such as the present economic crisis. With contributions by Gwenneth Boelens, Piet Dieleman, gerlach en koop, Sara van der Heide, Martijn Hendriks, Bas van den Hurk, Rob Johannesma, Katja Mater, Marc Nagtzaam, Falke Pisano, Petra Stavast, Batia Suter, Remco Torenbosch, Martijn in 't Veld. With an introduction by Lorenzo Benedetti. Design: Roger Willems and Louis Lüthi. ISBN 978 90 77459 79 9
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Divided over three exhibition projects taken place in Sao Paulo, Barcelona, and Amsterdam, Beltrán interviewed a large number of people and collected a variety of personal theories on all kind of subjects. He drew his inspiration from microhistory, a genre in cultural history that focuses on personal stories and apparently minor events, sketching a picture of a culture or mentality of a particular period. 'Our view of the world is determined not just by what we have learned about the world or even what we have actually experienced,' Beltrán explains. 'It consists to a large extent of suspicions, makeshift connections and personal interpretations.' With an introduction by Anke Bangma. Design: Erick Beltrán with Gabrielle Pauty and Roger Willems. ISBN 978 90 77459 80 5
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Chapter Fourteen is based on a transcription of a talk held by Arnoud Holleman on February 11, 2012 at castillo/corrales in Paris. It was distributed freely to the audience of the exhibition Roma Publications 1998-2012, at Research Centre for Artists Publications, Weserburg, Museum für Moderne Kunst, Bremen, from March 9 till May 13, 2012. Design: Roger Willems

A series of chronologically ordered photographs taken by Nigel Shafran between 1995 and the 26th January 2004, the book takes the form of a novel without words. The sequence shows Ruth, first at the end of the telephone receiver, later on a cordless phone, the one constant as time and place change around her. Editor: Paul Elliman. Design: Julie Peeters. ISBN 978 90 77459 76 8
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Catalogue for the group exhibition Un Paisaje Holandes, curated by Javier Hontoria for La Casa Encendida Madrid, coinciding with the participation of the Netherlands as the guest country at ARCO, Madrid. The exhibition and catalogue offer an overview of the work of two different generations of the Dutch art scene - the one active in the late 1960s and early 1970s (Bas Jan Ader, Marinus Boezem, Stanley Brouwn, Jan Dibbets, and Ger van Elk) and the one born shortly afterwards (Feiko Beckers, Gwenneth Boelens, Sharon Houkema, Marijn van Kreij, Katja Mater, Navid Nuur, and Martijn in 't Veld). With text in English and Spanish by Javier Hontoria.
Design: Roger Willems. ISBN 978 90 77459 78 2
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Catalogue published on the occasion of Manders' solo exhibition Les Études d'ombres at Carré d'Art, Musée d'art contemporain, Nîmes. With texts in French by Sylvie Coellier and Mark Manders. Design: Hans Gremmen. ISBN 978 90 77459 71 1
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Published on the occasion of the exhibition WORLD-WIELDING at ar/ge kunst Galerie Museum and the Marino Marini Museum in Florence. With text (English, Italian, German) by Rob Johannesma, Luigi Fassi and Alberto Salvadori. Design: Roger Willems. ISBN 978 90 77459 77 5
Link: www.argekunst.it/en/node/1189
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Drawing by Mark Manders, printed in diamond screen offset on 2 mm acid free card board, in a limited edition of 100. This is the first issue of the irregular Roma Support Edition-series. Profits will be used to fund upcoming publications.
Price (excl. VAT & shipping): 250 euro unframed (30 x 40 cm) or 325 euro in black wooden frame (36.1 x 46 cm). To order please mail to info@romapublications.org

45 landscapes and architecture photographs by Jan Kempenaers. This book, together with his previous book Spomenik (Roma Publication 141, 2010) present the results of Kempenaers' practice based research on 'contemporary picturesque'. Dirk De Meyer, quoted from this book:
Yet, even when gratifying due to their composition and their living tints and endless varieties, Kempenaers photographs of landscapes altered by man forestall the nostalgia that has, over time, become typical for the picturesque. They force the viewer to remain in the present and think about its conditions and its future, and about the forces threatening our environment. Using Gilpins topoi of the picturesque - which, by now, are themselves "classical" - Kempenaers' images confront us with the picturesques slightly disconcerting aspects. As one visitor of the 1975 New Topographics exhibition at the George Eastman House observed, the photographs on display were saying "This is it, kid; take it for its beauty and its ugliness." Design: Roger Willems. ISBN 978 90 77459 74 4
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Special edition of Picturesque with an original photograph by Jan Kempenaers, printed in a limited edition of 30, signed and numbered by the artist. Lambda print, 30 x 24 cm
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6 tracks of piano music separated by silent intervals, played by Wim Holleman (1926-1993) in the late eighties and early nineties. Remastered in 2011.

This book is part and parcel of the exhibition project Nos hicimos la ilusión de avanzar directamente (We made it our dream to move on) shown at the Espai Cultural de Caja Madrid in Barcelona between November 23, 2011 and January 15, 2012. The title, a sentence culled from Monturiols treatise, refers in this new context to the collective insistence on progress in cognitive, cultural and/or technical terms. With contributions by Ruth Estévez, Sarah Demeuse, Jorge Méndez Blake, Javier Toscano, Erick Beltrán, Mariana Castillo Deball, Eduardo Gil, Carla Herrera-Prats, Irene Kopelman, Erick Meyenberg, Ania Soliman, Batia Suter, and Pablo Vargas Lugo. Design: Roger Willems. ISBN 978 90 77459 73 7
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Photographic documentation of a large wall painting by Vermeersch at Be-Part Waregem with a text by Dieter Roelstraete (Dutch/English). Photography: Pieter Huybrechts. Design: Roger Willems. ISBN 978 90 77459 72 0
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Book after Benoît Maire's solo exhibition with the same title at De Vleeshal, Middelburg. With an introduction by Lorenzo Benedetti. Design: Louis Lüthi. ISBN 978 90 77459 71 3
Link: http://vleeshal.nl/en/tentoonstellingen/benoît-maire-the-object-of-criticism
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Compilation from dream journals, published as part of the installation Camera (After Poussin), 2011, on occasion of the exhibition The Third Tiger with Rossella Biscotti, Mark Manders, and Olaf Nicolai at RAM Radioartemobile, Roma, curated by Lorenzo Benedetti. Design: Roger Willems

Certificates of authenticity are a critical aspect of art works today. They often embody the artwork itself, while referring to it, serving as its deed, legal statement, and fiscal invoice. Certificates by artists validate the authorship and originality of the work and they allow the work of art to be positioned in the marketplace as a branded product. Providing examples of artists certificates from the past fifty years, this book reveals how roles have shifted and developed, as well as how the materials and content of art have changed.
With certificates by: Ruben Aubrecht, Judith Barry, Robert Barry/Stefan Brüggemann, Hemali Bhuta and Shreyas Karle, Pierre Bismuth, George Brecht, Marinus Boezem, Daniel Buren, Andre Caderé, Marcel Duchamp, Maria Eichhorn, Urs Fischer, Dan Flavin, Andrea Fraser, Liam Gillick, The Felix Gonzalez-Torres Foundation, Hans Haacke, Edward Kienholz, Yves Klein, Joseph Kosuth, Sol LeWitt, Ken Lum, Piero Manzoni, Gordon Matta-Clark, Josiah McElheny and Allan Kaprow, Jonathan Monk, Robert Morris, Antoni Muntadas, Yoko Ono, Cesare Pietroiusti, Adrian Piper, Emilio Prini, Robert Projansky and Seth Siegelaub, Raqs Media Collective, Robert Rauschenberg, Sharmila Samant, Joe Scanlan, David Shrigley, Daniel Spoerri, Haim Steinbach, Superflex, Rirkrit Tiravanija, Ben Vautier, Lawrence Weiner, Franz West, Cerith Wyn Evans, Carey Young, Andrea Zittel, Heimo Zobernig. Design: Louis Lüthi. ISBN 978 90 77459 69 0
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Dirk Braeckman is one of Belgiums leading artistic photographers. In each of his monumental photographic works, he creates an enclosed, isolated world that appears endless in its tactility, while at the same time gives short shrift to the illusions of the medium. These images do not aim to convey anything and yet they are suggestive of complete narratives.
Braeckman in the introduction of the book: (...) we discovered a large number of 'new' images - images that had never been printed. Detached from the context in which I had made them, they could be viewed anew and forge new connections. A number of these discoveries are included in this publication. From a physical perspective, they have yet to achieve definitive form. Ordinarily, the work exists first, and is published at a later date. Here, the reverse is true in some cases. Certain works exist only on the pages of this book, untitled, without dimensions - I may produce them as prints at some point in the future. This publication is, therefore, an autonomous instrument. It presents a state of affairs: extant and unprinted works, in whatever form, without conventional themes, periods or sequences. As such, this publication is a cross between an artist's book and a survey publication. And I feel right at home with this synthesized form.
With essays in English and Dutch by Martin Germann and Dirk Lauwaert. Design: Kim Beirnaert. ISBN 978 90 77459 67 6
Link: www.dirkbraeckman.be
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24 European Ethnographic Museums is a publication on a work with the same title by Sara van der Heide. This work consists of a series of 24 drawn museum names that show the Western obsession with the categorization and conservation of artefacts and people. With a text by Moosje Goosen. Design: Mevis & Van Deursen. ISBN 978 90 77459 65 2
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Monograph with a broad selection of Nagtzaam's work from 1995 to current date. Nagtzaam's meticulous graphite-gray pencil drawings are often abstract, geometric but also seek to be representations of a concrete reality or space. His drawings take up the entire page and appear almost impenetrable. 'Im trying trying to find representations of a concrete reality, as well as those that can only be realized as drawings, he says. This idea is expressed in his use of scraps of text in his drawings and titles which offer little help in interpreting the works. While drawing usually implies that graphic marks generate meaning, the reverse is true with Nagtzaams work. The drawings are like empy spaces, parallel to the world. I try to create a place that is not clearly defined. With texts in English by Chris Sharp and Dieter Roelstraete. Design: Roger Willems. ISBN 978 90 77459 70 6
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Series of interviews - in Dutch - with curators and artists who represented the Netherlands at the Venice Biennial over the past 10 years: Fiona Tan, Aernout Mik, Martijn van Nieuwenhuijzen, Jeanne van Heeswijk, Alicia Framis, Rein Wolfs, Jaap Guldemond, and Gitta Luiten.
Edited by: Marta Gnyp, David Smidt van Gelder, Tom Vandeputte.
Authors: Femke Truijens, Imara Limon, Janneke van Liempt, Jero van Nieuwkoop, Marthe van der Hilst, Matteo Kuijpers, Melchior Jaspers, Mels Evers, Tessa Verheul, Thomas Stokmans, Zippora Elders. Design: Joris Kritis & Julie Peeters. ISBN 978 90 77459 65 2
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Aglaia Konrad uses film and photography to visually extend her interest in urban development, cityscapes and architecture. In this artist book she presents photographs taken in the Carrara region in Italy between 2008 and 2010, along with the 16mm film Concrete * Samples III  Carrara. With a text by Angelika Stepken. Design: Roger Willems. ISBN 978 90 77459 66 9
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Book containing two series of water color drawings:
- Dots in Tree (5 drawings)
- Tree Drawings (5 drawings)
Edition of 400 copies, signed and numbered by the artist.
Design: Roger Willems. ISBN 978 90 77459 63 8
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Surface Series - created by Batia Suter between 2008 and 2011 - contains images and fragments from other books. The recurrent use of photographic images is a common denominator in the work of Suter. Since the 1990s she makes use of enlarged photographic images to cover entire walls of exhibition spaces, exploring trompe loeil effects and the relationship between the inside and outside of those spaces. In the same way she makes her books, like specific exhibitions on paper. With a text by Dieter Roelstraete. ISBN 978 90 77459 64 5 / Link: www.batiasuter.org
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Book containing five series of drawings from objects, observed from different angles:
- 1 Point of View (160 glue stains from 1 angle)
- 2 Points of View (24 crystals and fossils from 2 angles)
- 3 Points of View (50 pieces of construction waste from 3 angles)
- 16 Points of View (1 fossil from 16 angles)
- 24 Points of View (46 stones from 24 angles)
Edition of 400 copies, signed and numbered by the artist.
Design: Roger Willems. ISBN 978 90 77459 62 1
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Book with 55 reproductions of oil paintings by Kees Goudzwaard, made between 2006 and 2011. With a text by Ilaria Bonacossa. ISBN 978 90 77459 60 7 / Link: www.keesgoudzwaard.org
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Recent paintings by Wouter van Riessen with an interview by Nickel van Duijvenboden.
Design: Roger Willems. ISBN 978 90 77459 61 4
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For Set Amsterdam, Dana Lixenberg photographed dozens of Amsterdam locations featured in the Dutch drama series A'dam / E.V.A. by Norbert ter Hall and Robert Alberdingk Thijm. Fascinated by the multitude and variety of places in the script, she decided to make a photo series of the city she left for New York more than twenty years ago: her birthplace, Amsterdam. With a text by Jurriaan Benschop. Design: Roger Willems. ISBN 978 90 77459 59 1
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Published on the occasion of a site specific intervention by Manders in Casa Luis Barragan, Mexico City (February-April 2011).

A collection of drawings and texts by Irene Kopelman, gathered during a journey to the Antarctic from January 6-26th 2010, aboard the expedition sailboat Spirit of Sydney. Text in English and Spanish, edited by Nickel van Duijvenboden. Design: Roger Willems. ISBN 978 90 77459 58 4
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Small sized book with a broad selection of Manders' works, published on the occasion of a solo show in Museo de Arte Carrillo Gil in Mexico City (February-April 2011). Text in Spanish by Mark Manders and Ruth Estéves. Design: Roger Willems. ISBN 978 90 77459 57 7
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Catalogue with artists' contributions on the occasion of the group exhibition Beyond the Dust - Artists' Documents Today, curated by Francesca di Nardo in collaboration with Lorenzo Benedetti. Participating artists: Linda Fregni Nagler, Mark Geffriaud, Invernomuto, Jeroen Kooijmans, Irene Kopelman, Benoît Maire, Diego Marcon, Clément Rodzielski, Roma Publications, Batia Suter, Richard Sympson, Raphaël Zarka. Texts by Lorenzo Benedetti, and Francesca di Nardo. Edited and designed by Roger Willems in collaboration with Gwenneth Boelens. ISBN 978 90 77459 56 0
The book was commissioned by the French Ministry of Culture and Communication, Centre national des arts plastiques (CNAP). Link: www.beyondthedust.com
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City People is a personal encounter of Ringel Goslinga with the city he lives and works in: Amsterdam. For this project he documented the different circles of his social surroundings. Resulting in 122 black and white portraits, made with a large format camera. The portraits vary in intimacy, but the intensity is of every portrait is constant. In this publication all portraits are categorized, which results in a unique documentation of a city, and its citizens. Design: Hans Gremmen. ISBN 978 90 77459 54 6
Link: www.ringelgoslinga.blogspot.com
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Selection of texts by Nickel van Duijvenboden. "When I was twenty, I decided to keep a record of the occurences I believed would leave a mark on me. I wrote them down in as few words as possible and preferably on the same day, in an attempt to preserve them from the distortions of memory. This accumulated naturally into a compact archive of incidents in which self-consciousness repeatedly wedges itself into everyday reality." Design: Roger Willems. Cover drawing: Marc Nagtzaam. Text in Dutch and English. ISBN 978 90 77459 55 3 Link: www.nickelvd.nl/index_en.html
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Autonomous text written by the French philosopher Jean-Luc Nancy on occasion of the work (Innere Stimme) by Olaf Nicolai, presented at the Vleeshal in Middelburg from Nov 11 - Dec 12, 2010. 'Innere Stimme' is the title of a notation by Robert Schumann in his Humoreske, Opus 20, used by Nicolai as instruction for a sound performance. Design: Roger Willems. Text in French & English. ISBN 978 90 77459 53 9 Link: www.vleeshal.nl/en/tentoonstellingen/olaf-nicolai-innere-stimme
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Unique book with a sequence of over 200 striking portraits of artists and art related people photographed by Liedeke Kruk over the past sixteen years. Design: Roger Willems. Edition 600. ISBN 978 90 77459 52 2
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Adam Colton, Aernout Mik, Agnes Denes, Alan Murray, Albert Waalkens, Alberto Garutti, Ann Lislegaard, Anne Decock, Anne-Mie Van Kerckhoven, Anton Henning, Avery Preesman, Barbara Visser, Bart De Baere, Berlinde de Bruyckere, Bernard Heesen, Beth Namenwirth, Bill Viola, Björn Dahlem, Borek Sípek, Brian Tolle, Brigitte van der Sande, Callum Morton, Carina Diepens, Catherine David, Ceciel van Delft, César, Cherry Duyns, Chohreh Feyzdjou, Chris Dercon, Christian Boltanski, Ciel van Dooren, Claes Oldenburg, Coosje van Bruggen, Cornel Bierens, Dan Graham, Daniel Buren, David Bade, David Claerbout, Dirk Braeckman, Douglas Gordon, Ebru Özseçen, Edwin Jacobs, Elly Stegeman, Elly Strik, Elske Neus, Emilio Lopez-Menchero, Eran Schaerf, Erik van Lieshout, Eulalia Valldosera, Federico Fusi, Fiona Tan, Fons Welters, Franky DC, Franz Pomassl, Gabriel Orozco, Ger van Elk, Germaine Kruip, Gert Robijns, Gillian Wearing, Giovanni Anselmo, Giuseppe Penone, Guillaume Bijl, Hale Tenger, Ham Jin, Hans Aarsman, Hans van der Pennen, Hans van Manen, Helena Dumas, Hendrik & Merel Driessen, Hendrik-Jan Hunneman, Henrietta Lehtonen, Hermann Nitsch, Hester Oerlemans, Honoré dO, Ianthe Elbers, Ida Lohman, Jacques Palinckx, Jan Broekstra, Jan De Cock, Jan Hoet, Jason Rhoades, JCJ Vanderheyden, Jeanne van Heeswijk, Jeff Wall, Jeroen Doorenweerd, Jeroen Eisinga, Jim Isermann, Jimmie Durham, Jo Baer, Joachim Rooyackers, Job Koelewijn, Joep van Lieshout, Johan van Oord, John Isaacs, John Körmeling, Jon Pylypchuk, José Damasceno, José Pedro Croft, Josse De Pauw, Josue Pellot, Juliana, Jutta Koether, Karel Appel, Klaar van der Lippe, Klaas Gubbels, Klaasje Vroon, Koen Theys, Korrie Besems, Krien Clevis, Lara Schnitger, Lawrence Weiner, Luc Tuymans, Luuk Wilmering, Manfred Pernice, ManfreDu Schu, Marc Nagtzaam, Maria Roosen, Maria Thereza Alves, Marie-Ange Guilleminot, Marien Schouten, Marie-Puck Broodthaers, Marina Abramovic, Mark Bain, Mark Manders, Marlene Dumas, Marry Overtoom, Masato Kobayashi, Matthew Monahan, Maxime Ansiau, Meredith Monk, Meschac Gaba, Michel François, Mike Kelley, Miroslaw Balka, Moniek Toebosch, Mynke Buskens, Naam, Nedko Solakov, Paul Andriesse, Peter De Cupere, Peter Fengler, Peter Fillingham, Petulia van Tiggelen, Philip Akkerman, Philippe Van Cauteren, Pipilotti Rist, Q.S.Serafijn, Reinier Lucassen, Rémy Zaugg, René Daniëls, Rob Birza, Robin Winters, Roland Schimmel, Rosemarie Trockel, Sander Luske, Sara Blokland, Sara van der Heide, Sarah Sze, Saskia Janssen, Scarlett Hooft Graafland, Sigmar Polke, Simone Decker, Sophie Calle, Sophie Hoorens van Heijningen, Stephen Nicholas, Suchan Kinoshita, Susanne Tunn, Tacita Dean, Teuny Tukker, Thea Veel, Thierry De Cordier, Thomas Schütte, Thomas Struth, Tom Claassen, Vaast Colson, Vadim Fishkin, Wiebo van Mulligen, Wilma Diepens, Wim Delvoye, Wim Van Mulders, Wouter van Riessen

Artist book by Mark Manders, published on the occasion of his tour through the U.S.A. (the Hammer Museum, Los Angeles, the Aspen Art Museum, the Walker Art Center, Minneapolis, and the Dallas Museum of Art). Design: Roger Willems. Edition of 900 numbered copies. ISBN 978 90 77459 51 5
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Collection of poems (in Dutch) and works of art selected by Marije Langelaar in collaboration with Mark Manders and Roger Willems. With contributions by Petra Stavast, Nachoem M. Wijnberg, Eva Cox, Luc Deleu, Albertina Soepboer, Alfred Schaffer, Marc Nagtzaam, Dirk Braeckman, Raymond Taudin Chabot, K Michel , Luc Tuymans, Dana Schutz, Jan Kempenaers, Tonnus Oosterhoff, Marten Hendriks, Wouter Godijn, Rien Vroegindeweij, Hans Groenewegen, Mark Manders, Peter Verhelst, Vrouwkje Tuinman, Maria Barnas, Anuschka Blommers, Niels Schumm, Geert Goiris, Esther Jansma, Elma van Haren, Adrian Paci, Gino De Dominicis. This edition was published on the occasion of the exhibition Beyond the Dust  Artists' Documents Today at De Kabinetten van de Vleeshal, Middelburg (17.09-12.12 2010). Link: www.vleeshal.nl
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Italian edition of Roma publication 145a, published on the occasion of the exhibition Beyond the Dust  Artists' Documents Today at La Fabbrica del Vapore, Milan (7.10-28.10 2010). Translated from Dutch to Italian by Pierluigi Lanfranchi.

French edition of Roma publication 145a, published on the occasion of the exhibition Beyond the Dust  Artists' Documents Today at Fondation d'entreprise Ricard, Paris (10.1-29.1 2011). Translated from Dutch to French by Kim Andringa.

Artist book in an edition of 500. ISBN 978 90 815769 1 8

I awoke unexpectedly early
but didnt get up right away.

Then when I finally opened the curtains
I saw it was a beautiful day.

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While the typical American gas station has long since spread world-wide, its Viennese counterpart testifies to the survival of a distinct and tender European metropolitan variety which nestles up against apartment buildings, occupies the small gaps between buildings, hides in courtyards or positions its pumps somewhere on the curbstone. With text by Sebastian Hackenschmidt, and photographs by Stefan Oláh. Design: Roger Willems. ISBN 978 90 77459 45 4
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Approximately 50 texts - richly illustrated -, published and unpublished, written between 1965 and the present: letters, essays, interviews, articles, facsimiles of illustrated texts, transcripts of talks, and a book-in-progress: Revisioning the Parthenon. The items are of disparate length and tone and cover subjects ranging from optics to orchids, cultural politics to ancient Greek iconography, art theory and philosophy to the mixed pleasures of living in a drafty castle in the Irish countryside. To all these diverse topics Baer brings formidable powers of analysis, rigorous logic, a penchant for provocation, lively wit and an inimitable, exacting use of language - the same ingredients that go into her art. Design: Roger Willems. 184 pp hardcover + 64 pp appendix. Made possible with the support of Fonds BKVB, Galerie Paul Andriesse, and The Andy Warhol Foundation for the Visual Arts. In English. ISBN 978 90 77459 49 2. Link: www.artforum.com/words/id=25921
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Series of photographs of abandoned monuments in former Yugoslavia. Willem Jan Neutelings, quoted from this book: "The Antwerp-based photographer Jan Kempenaers undertook a laborious trek through the Balkans in order to photograph a series of these mysterious objects. He captures the Spomeniks in the misty mountain landscape at sundown. Looking at the photographs one must admit to a certain embarrassment. We see the powerful beauty of the monumental sculptures and we catch ourselves forgetting the victims in whose name they were built. This is in no way a reproach to the photographer, but rather attests to the strength of the images. After all, Kempenaers did not set out as a documentary photographer, but first and foremost as an artist seeking to create a new image. An image so powerful that it engulfs the viewer. He allows the viewer to enjoy the melancholy beauty of the Spomeniks, but in so doing, forces us to take a position on a social issue." Design: Roger Willems. ISBN 978 90 77459 50 8
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Report of a remarkable art project in the public space. The subtitle of this book is 'Proposal for Permanent Chalk Drawings in the Moscou District of Ghent'. For more than three years Bart Lodewijks was making drawings with blackboard chalk on walls throughout a neighbourhood in the outskirts of Ghent, called Moscou. Slowly, he became a known face in the area and succeeded to get permision to draw on facades and interiors of private homes. Next to images of the work, the book contains short texts by the artist and letters to the director of S.M.A.K. and the director of NMBS - the Belgian railway company - to come to a special agreement concerning one specific house. Design: Roger Willems. ISBN 978 90 77459 48 5
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Priè d'insérer (by Louis Lüthi) - The subject of this book is the page, and the pages reproduced in it are taken from works of literature (or, in some cases, art books that derive specifically from literature). I have chosen to present them thematically, resulting in a typology of self-reflexive pages: Black Pages, Blank Pages, Drawing Pages, Photography Pages, Text Pages, Number Pages, and Punctuation Pages. The repetition this entails is somewhat deceptive (for a start, the reader will observe the slight but not insignificant differences between the visual and verbal presentations); in literature, such devises are often used as a counterpoint to what has preceded or what will follow in the narrative. And the same means may evidently be used to different ends. For these reasons, and because the book attempts only to trace an isolated theme through numerous and often otherwise unrelated works, the reader is in all instances referred to the original publications, which are listed in the bibliography. ISBN 978 90 77459 47 8
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Book with recent photographic work by Uta Eisenreich focussing on the shortcomings of our cognitive tool-kit. A NOT B walks us along the fine line between common sense and uncommon nonsense in a realm reminiscent of pre-school books, assessment tests and optical illusions. Design: Julia Born. ISBN 978 90 77459 46 1
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Book with over 160 photographs by Erik van der Weijde of large residential blocks in Brasilia, named Superquadras. Each block, as repeating element in Lucio Costa's master plan for Brazil's new capital, was built within a distinct configuration, with an average of eleven residential buildings raised on pilotis, with a height limit of six floors. Besides 30 of these residential blocks in Brasilia, Van der Weijde also visited a residential complex in Rio de Janeiro, designed by Costa in 1948, which is considered to be forerunner of the Superquadras. Brasilia was inaugurated 50 years ago, on April 21, 1960. Design: Roger Willems and Erik van der Weijde. ISBN 978 90 77459 43 0
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Text fragments and photo sequences reflecting the trajectory that Susanne Kriemann pursued in relation to archaeology, the artefact, the image of the individual at work, and the idea of the desert as a symbol of the modern desire to create an empty slate, a tabula rasa. Material from Agatha Christies photographic archives is related to photographs by Kriemann of the Syrian desert and archaeological sites in Mesopotamia. This associative working method allows the artist to dig towards the past and to disassociate the idea of modernity from ideological connotations, and analyze the writing of recent history as a formal system of organization. With texts by Dieter Roelstraete, Wim Waelput, Axel John Wieder. Design: Christopher Jung and Tobias Wenig, Berlin (www.jungundwenig.com). ISBN 978 90 77459 44 7
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Extensive monograph about the work of Michel Francois. With texts by Guillaume Desanges and Jean-Paul Jacquet, and an introduction by Philippe Van Cauteren and Nathalie Ergino.
Design: Roger Willems. ISBN 978 90 77459 41 6
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Epilogue: In a seemingly marked-out, hierarchical world which is far more chaotic and uncontrolled than it appears, Michel Francois's essentially sculptural work, which on the contrary is obviously chaotic and subtly framed, is a model of sensual and ideological reconfiguration of the immediate. His delight in forms and games of representation derives from his wonderment at the world's materials, nature, situations or ideas. Despite the sometimes sombre rawness of some references, the artist ultimately sets out to reconcile what are sometimes distant and contradictory fields in the world of art. Highly formal sculpture underpinned by a set of complex theoretical and ideological strata, laying claim to a liberal art, while accepting the slavish share of work. The ideological issues of modernity (the everyday as material, art as a cosa mentale, universality of forms, abstraction, seriality), without ignoring the great issues of classical art (perspective, nature, manual work, metaphor, illusion, trompe-l'oeil). A focus on the world and on the intimate sphere, neutralised by elegant detachment from forms. Representative clarity and simplicity, contrasted with indeterminate perception. In short, acceptance of physical and moral responsibility for the fundamental demands of sculpture, without sacrificing freedom, risk and uncertainty. (Guillaume Desanges)

Conceived as a proposal for The Guggenheim Museum in New York, this book, or magazine, guides you through an imaginary exhibition with works by Manders, spread out over two houses connected with a tunnel from kitchen to kitchen. 'Two Connected Houses' will be on show at 'Contemplating the Void: Interventions in the Guggenheim Museum', New York, February 12April 28, 2010 and will also be distributed, as a 48 page insert of Manders' newspaper 'Traducing Ruddle', through newspaper boxes in Vancouver's Downtown Eastside during the months of February and March. Design: Hans Gremmen. Virtual publication: Two Connected Houses
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'Traducing Ruddle' is the 5th in a series of "fake" newspapers, especially produced to be used in Manders' sculptures. Together with the 48 page insert 'Two Connected Houses', it is distributed through newspaper boxes in Vancouver's Downtown Eastside during the months of February and March. Sheets from 'Traducing Ruddle' form also the central element of a 'Window with Fake Newspapers', a site-specific public work on view in Vancouver through March 28th. Typography: Hans Gremmen.
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Story about a project for the KIASMA Museum in Helsinki, Finland, that was canceled two weeks before its realization. It was intended to become an installation of three intersecting Moebius strips 'circling' around the gallery, functioning as a platform to exhibit works of other artists. Finally only a model of this structure was created and photographed with a pinhole camera. On the images, the structure is still visible, but their blurry and foggy atmosphere shows a different universe, closer to the world of dreams and imagination.
The book includes 17 series of photographs, each of them offering a slightly different imaginary walk through the structure, accompanied by fragments of texts by several individuals who inspired the artists while working on the project: Vladimir Odoevsky, Frederick Kiesler, Walter Benjamin, Susan Buck-Morss, Juhani Pallasmaa, Italo Calvino, and Steven Holl. The book also contains a theoretical reflection on the artistic process and experience of cancelling a project.
Design: Roger Willems. Edition 1000 copies. ISBN 978 90 77459 42 3 Link: www.pswar.org
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Publication based on Johannesma's exhibition 'Uitval uit een' at De Vleeshal Middelburg (summer 2009). With text by Lorenzo Benedetti. Edition 600 copies. ISBN 978 90 77459 40 9
Link: www.robjohannesma.com
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The booklet starts with a sequence of photographs and reproductions leading to an image of a golden pretzel, depicting a sculpture by Taudin Chabot. It reads like a reflection on different representational forms of decorum and their flipside within photography. Unexpectedly the sequence switches to images of clocks, tables, television sets, gambling machines, newspapers and a whole range of devices that are commonly deployed to kill time. Their origin remains opaque but they indicate a parallel reality that is precarious and clandestine. Edition 600 copies. Made in collaboration with Roger Willems. Links: www.raymondtaudinchabot.net / www.fw-photography.nl
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In an abandoned house in Calabria (Italy) Petra Stavast found old pictures and letters. She started to search for the people on these pictures and reconstructed the story behind the images. Design: Hans Gremmen. Edition 750 copies. ISBN 978-90-77459-38-6 Link: www.petrastavast.com
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An exhibition in Culturgest, Porto provided the seventh occasion for Stuart Bailey to show a group of artefacts whose only shared connection was that they had appeared somewhere in the pages of Dot Dot Dot - a magazine which he has edited since its conception in 2000. The publication plays with the idea of inverting the regular hierarchy of this magazine where texts are generally treated as primary and images secondary. It contains a leporello reproduction of the exhibition wall with all the 43 artefacts, followed by subsequent reproductions of 43 previously published Dot Dot Dot articles, systematically presented as captions of these artefacts. With texts by Stuart Bailey and Jan Verwoert. Design: Roger Willems and Sam de Groot. ISBN 978-90-77459-37-9. Read more: www.dot-dot-dot.us/index.html?id=55
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Report on Janssen's encounters in the Blaka Watra drug users' room in Amsterdam during the period 2006 to 2008. With drawings of spiderwebs by Blaka Watra visitors. Jackson: 'This is the real shit, man! A spiderweb! Thats my life.' Design: Jaan Evart (Werkplaats Typografie, Arnhem) & Indrek Sirkel. ISBN 978-90-77459-36-2
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'Phantom Radio Extended Shipping Forecast'. Notes for radio imagery and typography. Collected, compiled and rewritten by Paul Elliman as supplement to Batia Suter's Parallel Encyclopedia. Designed by Radim Pesko with Roger Willems.

Reverse Chronology, subjectively compiled by the artist. This booklet is a reproduction of a hand glued sketch made during the process of making "The Analogy of the Eye" (Roma Publication 122). Printed in an edition of 750 copies.
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Newspaper collage by Luuk Wilmering, handmade between 2006-2008, compiled with text and image fragments from regular issues of NRC Handelsblad. This newspaper is part of the presentation "Luuk Wilmering / Krant - Journal" at De Pont museum of contemporary art, Tilburg, from 17.01 - 15.03 2009. Read more: De Pont press-release / See more: www.luukwilmering.nl
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An original Swedish Hasselblad camera is the point of departure for One Time One Million. Because the camera dates from 1942, this object launched Kriemann straight back into history. Kriemann succeeds in pushing the concrete politics that adhere to this object into the background. That gives her room to say much more than she would have had a chance to say in a specifically political context: she can bring clusters together in new images, make new connections, rearrange things, tinker around, and thus arrive at new insights. (Els Roelandt in SMBA Newsletter No. 108)
Photographs by Susanne Kriemann, Viktor Hasselblad and anonymous sources. Texts by Cecilia Widenheim, Dieter Roelstraete, Aleksander Komarov, Soeren Gunnarsson, Ulrika Flink, Ida Lowgren.
Design: NODE Berlin Oslo. Hardcover, edition 750. ISBN 978 90 77459 35 5
Links: www.susannekriemann.info / www.smba.nl
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Extensive book about the work of Dutch artist JCJ Vanderheyden (Den Bosch, 1928), presented with a retrospective exhibition in Culturgest, Lisbon. Edited and designed by Roger Willems, Mark Manders and Jaap van Triest in close collaboration with the artist. Texts by Nickel van Duijvenboden, Mark Kremer, Dieter Roelstraete and Miguel Wandschneider. Texts in English, with translations in Portuguese and Dutch. ISBN 978-90-77459-31-7
"Science progresses, art does not - art always starts afresh." JCJVDH
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Textpiece by Arnoud Holleman about the reason and history of a shiny little sculpture. The sculpture and this publication - with photographs by Simon Wald-Lasowski - are on show at the exhibition "Questioning History" at the Nederlands Fotomuseum in Rotterdam.

1. Suspension, 2. Whiteout #17, 3. Toijska, 4. Milton Keynes, 5. Inertia, 6. Untitled, 7. Palanga. Print: Cassochrome, Waregem. Design: Roger Willems

Papier-mache newspaper, especially produced to be used in Manders' sculptures. Typography: Hans Gremmen.

Novel written by Van Duijvenboden, published as set of two books; one in English and one in Dutch. Plateau features two scientists stationed on the Arctic drift ice for a year in the Cold War era. "Except for the stars there were no reference points here: no hills, no mainland, no vegetation &ndash nothing that counterbalanced the uniform character of this frozen ocean landscape." The question how the expedition members should relate to this landscape forms the heart of a discussion which seems to be driving them apart. ISBN 978 90 77459 33 1 / Links: www.ilfaut.nl, www.nickelvd.nl
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240 Houses in 16 settlements, built in Nazi Germany between 1933 and 1945, photographed by Van der Weijde in the spring of 2008. ISBN 978-90-77459-32-4 / Link: www.erikvanderweijde.com
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Book on the occasion of the 10th anniversary of the Werkplaats Typografie in Arnhem. Edited and designed by Alex DeArmond, Jeremy Jansen, Julie Peeters, Scott Ponik, Boy Vereecken and Lisette Smits. With contributions by Stuart Bailey, Uta Eisenreich, Paul Elliman, Raimundas Malasauskas, Karel Martens, Armand Mevis, Radim Pesko, and Willem Oorebeek. ISBN 9789077459300 / Link: www.werkplaatstypografie.org
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1. Stranded, 2. Lower Galley, 3. Control Room, 4. Near Hekla #2, 5. New Coast, 6. Whiteout, 7. Platforms. Print: Cassochrome, Waregem. Design: Roger Willems

Portraits by Petra Stavast, photographed with a mobile phone. Designed by Hans Gremmen. ISBN 978 90 809988 3 4 / Link: www.petrastavast.com
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Portrait (Eva (II), 2008) by Petra Stavast, photographed with a mobile phone, printed in offsetprint on newspaper stock. Edition 300 / Link: www.petrastavast.com

Collection of poems by Wim Brands, illustrated by Oksana Pasaiko (Two Meteorite Rocks, Cut in Favorit Angels). Design: Roger Willems. Edition 300 copies.
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Leporello with 11 photographs on the occasion of the exhibition Power of Place at Nettenfabriek, Apeldoorn.

Book edited by graphic designer Hans Gremmen with a selection of 'test prints' found at the silkscreen workshop of Paul Wyber of WyberZeefdruk in Amsterdam. The book contains reproductions as well as unique fragments from original prints by the following designers and artists: Jan Bons, Armand Mevis, Linda van Deursen, Lex Reitsma, Julia Born, Laurenz Brunner, Gielijn Escher, Annet Gelink, Ryan Gander, Roger Willems, JCJ Vanderheyden, Roland Schimmel, Nancy Spero, Carlos Amorales, Coppens Alberts, Connie Nijman, Anthony Burrill, Scott King, KesselsKramer, Jan Cremer, Gebroeders Silvestri, Stephanie de Vilder, Experimental Jetset, mevrouw Kramer, Mark van Holden, Linda Jensen. With an adapted chapter from 'Sindbad in Serendip' by Richard Boyle.
Edition 700 unique copies / ISBN 978 90 77459 29 4 / Link: www.hansgremmen.nl
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Set of two silkscreen posters with an inventory of all motifs from Nancy Spero's zinc and polymer plates since 1975. Edited by Roel Arkesteijn. Design: Connie Nijman and Roger Willems. (c) Nancy Spero 2008
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Book with a selection of statements, correspondence, essays, lecture notes, interviews, personal photographs and other ego documents from Nancy Spero (Cleveland, Ohio, 1926). An overview of all the visual motifs that Spero has used in her work since the mid-1970s completes this volume. Edited by Roel Arkesteijn, in close collaboration with the artist. ISBN 978-90-77459-28-7
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Book and dvd by Roland Schimmel with an essay by Dieter Roelstraete and an introduction by Miguel Wandschneider. ISBN 978 90 77459 27 0
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With less to look at, there's more to think about. That was the motto Bernard Brunon gave to his company "That's Painting Productions" some twenty years ago, when his work as a house painter became his activity as an artist. This development didn't happen over night. The interviews in this book by Michael Kosch and Pascal Beausse describe the process and explain the motivations behind this trajectory.
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Book with a personal selection of paintings, drawings, early works, and writings. Compiled on the occasion of Dumas's first solo show in South Africa after moving to The Netherlands thirty years ago. Edited by Marlene Dumas, with text contributions by Emma Bedford, Marlene van Niekerk, Achille Mbembe and Sarah Nuttall. ISBN 978-90-77459-24-9
Iziko South African National Gallery, Cape Town : November 7, 2007 - January 13, 2008
The Standard Bank Gallery, Johannesburg : February 6 - March 29, 2008
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Published on the occasion of the exhibition Multiplicity at the Fries Museum, Leeuwarden (20.1-13.4.08). Text by Shumon Basar and Frank van der Salm.
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Sequence of newspaper images collected by Raymond Taudin Chabot as source material for his 'men-in-suit' slow motion video works (see: www.raymondtaudinchabot.net). Edited by Roger Willems. This publication has been made possible by financial support from The Netherlands Foundation for Visual Arts, Design and Architecture Amsterdam. ISBN 978-90-77459-23-2
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The publication "Beauty Unrealized / spider webs of personal universes seeking a form" is the testimony of a series of collaborative ventures, organized by artist-run space Public Space With a Roof, Amsterdam. With contributions by Thomas Hirschhorn, Robert Garnett, Keren Cytter, Philippe-Alain Michaud, Atsushi Sasaki, Michel de Broin, Benoit Goupy, Falke Pisano, Maurits Fennis, Emiliano Gandolfi, Mark Manders, Francesco Bernardelli, Claudio Baroni & Fabian Marcaccio, Marko Kosnik, Angela Serino, and others.
Download introduction (96 Kb)
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The early part of Nagtzaam's collected text samples, released on the occassion of the group exhibition "Drawing Typologies", Stedelijk Museum Amsterdam 29.06 - 16.09.2007 / Link: www.marcnagtzaam.info

Series of 11 posters, compiled by Roger Willems. These posters were printed in the same print runs as the invitations for artists run space Artis Den Bosch during 2008 and 2009. A limited part of these print runs was saved uncut. Only 38 out of 50 clean sets are available for sale. With special thanks to Drukkerij Tielen, Boxtel.
-- Marc Nagtzaam / (Single Objects), 2005
-- Pipa Vilyn / Ruk ruk stuk, 2006-2007
-- Wouter van Riessen / Zelfportret op bed (rood monochroom), 1992-2007
-- Batia Suter / Test Sheet for Parallel Encyclopedia, 2007
-- Mark Manders / Study for Finished Sentence, 2007
-- Rob Johannesma / Skyhook, 2007
-- Kees Goudzwaard / Additive, 2007
-- Marten Hendriks / From: 8608 (Drawings arranged by Marten Hendriks and Julius van der Vaart), 1986-2008
-- Gwenneth Boelens / Sketch for a Whole Fragment, 2007
-- Irene Kopelman / Seismological Record (7/03-7/04 2008) from the Geological Museum Artis Amsterdam, 2008
-- Marlene Dumas / In God We Trust (paying the ferry man), 2008

A voluminous book containing a precise composition of images from other books. With supplement by Paul Elliman: I pass. like night, from land to land; I have strange power of speech.
ISBN 978-90-77459-21-8 / Link: www.batiasuter.org
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